Goodbye Breasts!

Director: Joanna Callaghan

Year: 2014

Love in the Post is inspired by the book The Post Card by Jacques Derrida. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers. Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant is in analysis. Filmmaker Joanna struggles to complete a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives. The film features a never before seen interview with Derrida, alongside contributions from Geoff Bennington, Ellen Burt, Catherine Malabou, J. Hillis Miller and Sam Weber.

Director: Stephen Shearman

Year: 2025

For the last eight years, off a remote island in Indonesia, a remarkable experiment has been carried out: a once desolate underwater rubble-field of broken and dead coral has been carefully replanted and regrown back to full health. In 2025, the reef on Selasi Besar is the largest rebuilt reef on earth. It is an unprecedented success. Selasi Besar sends a message of hope to the world. But can the success in Indonesia be replicated and rolled out on a global scale? For this experiment to make a difference it has to work everywhere. Official Selection, SXSW 2025 Official Selection, Quad Cities Environmental Film Series 2026 [WINNER Special Jury Award for Environmental Action] Official Selection, Innsbruck Nature Film Festival 2026 Official Selection, One Earth Film Festival 2027

Director: Chris Vile

Year: 2026

Henry Moore beside a pebble. Barbara Hepworth next to broken china. No labels. No velvet ropes. No explanation. Art stripped of its usual deference and curatorial esperanto. Art revealing its true power. Art for all. ‘You want to look at how it is and marvel at the ordinariness of it and the extraordinariness of it all’ (Lubaina Himid) Kettle’s Yard is a small, humble home. Created by a couple, Jim & Helen Ede, who, with little money, became supporters and friends of many of the most important artists of the 20th Century. Jim survived the trenches of the First World War but despaired of a society that could allow such horrors. His is a quiet, very British, revolution that has a powerful resonance today. ‘These fragments that you find all around Kettle’s Yard, they’re almost an equivalent to the fragments of a bomb blast that he’s trying to capture and hold, he’s trying to stop this explosive force of horror and warfare and people fighting’ (Andrew Nairne) Antony Gormley, Edmund de Waal, Cornelia Parker, Ai Weiwei and others, passionately explain why this humble place is so important to them and why Jim’s radical ideas are vital for us today.