Man Who Sold the World

Director: louis melville

Year: 2017

Hindu Kush, Afghanistan October 2014. War ends at midnight, all five British soldiers have to do is stay alive till then. In the midst of a firefight the five British soldiers try to find a safe haven to sit out the last night of the Afghan war. Trekking through dense woodland they come across a large imposing British fort dating from the early 19th century. On nearing the entrance to the fort they see 5 other British soldiers enter, with great relief they also enter the fort but find it eerily unoccupied. Where have the British troops gone? As the night unfolds and their mission is finally explained, they find themselves in a labyrinthine nightmare of seemingly un-combatable spirits from another realm. Time also seems to move in inexplicable ways to the point where they question their own reality. Who will stay alive till midnight, will any, are they already dead? 'Boots on the Ground' makes a little bit of film history by being the first British feature film to be shot entirely by its actors wearing head-cams, mirroring the use of head-cameras by real soldiers in combat situations in 21st century war zones.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.