Man Who Sold the World

Director: louis melville

Year: 2017

Hindu Kush, Afghanistan October 2014. War ends at midnight, all five British soldiers have to do is stay alive till then. In the midst of a firefight the five British soldiers try to find a safe haven to sit out the last night of the Afghan war. Trekking through dense woodland they come across a large imposing British fort dating from the early 19th century. On nearing the entrance to the fort they see 5 other British soldiers enter, with great relief they also enter the fort but find it eerily unoccupied. Where have the British troops gone? As the night unfolds and their mission is finally explained, they find themselves in a labyrinthine nightmare of seemingly un-combatable spirits from another realm. Time also seems to move in inexplicable ways to the point where they question their own reality. Who will stay alive till midnight, will any, are they already dead? 'Boots on the Ground' makes a little bit of film history by being the first British feature film to be shot entirely by its actors wearing head-cams, mirroring the use of head-cameras by real soldiers in combat situations in 21st century war zones.

Director: A.D. Cooper

Year: 2026

When two con men try to scam an elderly woman in her own home, they think they're on for a sure bet. But they quickly discover that she is not the gullible old dear they anticipated. Tables are turned when the victim turns predator.

Director: Nina Danino

Year: 2026

“You are a sky of autumn, pale and rose; But sadness in me rises like the sea" The Eyes of Beauty, Charles Baudelaire, The Flowers of Evil In Greenwich Park, London two lovers stroll and talk about love, their relationship and the making of a film in Venice. The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, is seen walking in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets. In gilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere, she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence, exotic pleasure and lovers, exemplified by Venice.