Project Detail

Miss You Already

Synopsis

They say opposites attract. Milly (Toni Collette) is the woman who has everything: a successful career, a devoted husband, and two gorgeous kids. Her best friend is Jess (Drew Barrymore): Jess works in a community garden, lives in a boathouse with her boyfriend Jago, and desperately wants a baby. Friends since childhood, Jess and Milly can’t remember a time they didn’t share everything – secrets, clothes, even boyfriends; their differences are the glue that binds them together. That is until Milly is hit with life-changing news and needs Jess’s support more than ever. As Jess tries to balance her own life with being there for Milly it is only a matter of time before the pressure on their friendship becomes intolerable.
Toronto International Film Festival 2015 - World premiere

Details

Year
2015
Type of project
Features
Running time
112 mins
Director
Catherine Hardwicke
Producer
Christopher Simon
Executive Producer
Jerome Booth, Nicki Hattingh, Sheryl Crown, Anne Sheehan, Samantha Horley, James Norrie, Barnaby Southcombe, Lisa Lambert, Celine Rattray, Trudie Styler, Catherine Hardwicke, Morwenna Banks, Paul Andrew Williams
Editor
Phillip J. Bartell
Screenwriter
Morwenna Banks
Director of Photography
Elliot Davis
Production Designer
Amanda McArthur
Composer
Harry Gregson-Williams
Principal cast
Toni Collette, Drew Barrymore, Dominic Cooper, Paddy Considine, Tyson Ritter, with Frances de la Tour, and Jacqueline Bisset

Categories

Production Status

Production Company

S Films

Unit 100
77 Beak Street
London
W1F 9DB

Sales Company

The Salt Company International

2nd Floor, Unit 19
Tileyard Studios
Tileyard Road
London
N7 9AH

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026