Night Bus

Director: Simon Baker

Year: 2018

A character drama set against the backdrop of Sunday League football, taking place entirely on one morning on London’s Hackney Marshes. An ensemble piece following a small number of characters as their stories play out on this one Sunday morning. Tensions build as secrets are exposed and emotions laid bare, the scene unfolds as the match moves towards its dramatic conclusion, where all the narratives collide.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.

Director: Martin Crasborn

Year: 2026

Set in rural England, Dusk follows Douglas, a young farmer whose beloved horse suffers a debilitating injury. When his father insists the decision to end her suffering must be rest on his shoulders alone, Douglas must confront the heavy weight of adulthood. Rifle in hand, he faces an agonising test of duty.