Nomad: In The Footsteps Of Bruce Chatwin
Synopsis
Official Selection Tribeca Film Festival 2019 - Spotlight Documentary - World premiere
Details
- Year
- 2019
- Type of project
- Features
- Director
-
Werner Herzog
- Screenwriter
- Werner Herzog
Categories
Production Status
Production Company
US, Germany co-production
A BBC production
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Fire Within: A Requiem for Katia and Maurice Krafft
Director: Werner Herzog
Year: 2022
On 3 June 1991, a deadly cloud of hot gas and rock spewed out of Japan’s Mount Unzen. Among the 43 people consumed by it were scientist-filmmakers Maurice and Katia Krafft. They left behind over 200 hours of footage from their decades of work, which Herzog draws on for this stunning eulogy. From 1977’s La Soufrière through to 2016’s Into the Inferno, Herzog has long been fascinated by these violent natural events and his deeply personal voiceover is a fitting memorial to two people who gave their lives in the pursuit of both science and the pure cinematic image. Official Selection Sheffield DocFest 2022 - Memories - World premiere
Invincible
Director: Werner Herzog
Year: 2001
Set in the 1930s, Invincible is based on the true story of a blond Jewish strongman who performed in Berlin as the Aryan hero Siegfried.
The Atlas of Sound
Director: Siobhan Silén
Year: 2027
An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.