The Fire Within: A Requiem for Katia and Maurice Krafft
Synopsis
Official Selection Sheffield DocFest 2022 - Memories - World premiere
Details
- Year
- 2022
- Type of project
- Features
- Running time
- 90 min
- Director
-
Werner Herzog
- Producer
- Julien Dumont, Mandy Leith, Alexandre Soullier, Peter Lown
- Editor
- Marco Capalbo
- Screenwriter
- Werner Herzog
- Director of Photography
- Maurice Krafft, Henning Brummer
- Sound
- Marco Capalbo
- Principal cast
- Katia Krafft, Maurice Krafft
- Archive Producer
- Jess Winteringham
Genre
Categories
Production Status
Production Company
Co-production France, United Kingdom, Switzerland, USA
Brian Leith Productions
Bonne Pioche TelevisionTitan Films
Sales Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Nomad: In The Footsteps Of Bruce Chatwin
Director: Werner Herzog
Year: 2019
When legendary writer Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave Herzog his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life. Official Selection Tribeca Film Festival 2019 - Spotlight Documentary - World premiere
Invincible
Director: Werner Herzog
Year: 2001
Set in the 1930s, Invincible is based on the true story of a blond Jewish strongman who performed in Berlin as the Aryan hero Siegfried.
The Atlas of Sound
Director: Siobhan Silén
Year: 2027
An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.