O Hunter Heart
Synopsis
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 7 mins 7 secs
- Format
- HD
- Director
-
Carla MacKinnon
- Producer
- Carla MacKinnon, Christian Schlaeffer, Sammy Wong
- Executive Producer
- Helen Brunsdon, Gillian Scothern, Deborah Lee, Emma Cahusac
- Screenwriter
- Carla MacKinnon, Christopher Andrews
- Production Designer
- Emma Neimis; Puppet Design and Fabrication: Marika Aakala
- Composer
- Hannah Peel
- Technical and VFX Director
- Christian Schlaeffer
Genre
Production Status
Production Company
Wingspan Productions
5 Spectrum House32-34 Gordon House Road
London
NW5 1LP
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Devil In The Room
Director: Carla MacKinnon
Year: 2013
Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.
Adage
Director: Jack Barrett
Year: 2025
Adage is a ballet term which refers to a slow and graceful sequence of movements - in this film artist/ filmmaker Jack Barrett seeks to juxtapose this with disorientating abstraction caused by process and editing. Barrett utilises risograph, mono-print, shadow projection and manual point tracking to create varying levels of abstraction, in turn playing with our associated perception of movement. Official Selection Annecy Festival 2026
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026