Project Detail

One Of The Hollywood Ten

Synopsis

Set in the United States at the height of the Cold War in the fifties, One Of The Hollywood Ten examines the personal struggle and triumph of Herbert Biberman, a film director, in his crusade to continue his filmmaking career in the face of the McCarthy-led Blacklist. At its most personal, Biberman's story is a compelling drama of individual perseverance and familial sacrifice and, at its most political, a conspiracy thriller and ever-relevant testament to societal paranoia and hate-mongering.

The film opens by establishing the historical climate - anticommunist paranoia, Congressional persecution of 'unAmerican activities' and friends informing on friends - that pervaded the early years of the Cold War in Hollywood and beyond. In detail, the various reactions of members of the film community to persecution is explored, from the high-profile trip to Washington, D.C. by Humphrey Bogart and Lauren Bacall in support of those persecuted that ended in his famous recantment, to the varying tactics of those not so readily remembered in pleading either the fifth or first amendments, or merely pleading to not be asked to speak at all. At the centre of this maelstrom is Herbert Biberman and his wife, Academy Award-winning actress Gale Sondergaard, who refused to name names and who stood by their acknowledged communist beliefs. For this, Biberman was cited for contempt of Congress, becoming in the process one of the 'Hollywood Ten', and was sentenced to serve jail time in a federal prison in Arkansas.

Act two evolves from the more familiar contextual elements of the Blacklist in the first act, to follow Herbert and Gale's attempts to restart their film-making careers on Herbert's release from prison. Herbert, unable to be re-instated to the Director's Guild of America, an organisation he co-founded in the thirties, resolved to strike back in the only way he knew possible: by making a film: The Salt of the Earth.

Details

Year
2001
Type of project
Features
Format
35mm Kodak
Director
Karl Francis
Producer
Lucrecia Botín, Gareth Jones, Alvaro Longoria
Editor
John Richards
Screenwriter
Karl Francis
Director of Photography
Nigel Walters
Sound
Antonio Bloch, Tim Ricketts
Composer
John Rea, Victor Reyes
Principal cast
Jeff Goldblum, Greta Scacchi, Angela Molina

Categories

Production Status

Production Company

Morena Films

Contact: Juan Gordon
C/O Alibi Films International
12 Maiden Lane, London WC2E 7NA
UK

T +44 020 7845 0410

afi@alibifilms.co.uk

Sales Company

Morena Films

Contact: Juan Gordon
C/O Alibi Films International
12 Maiden Lane, London WC2E 7NA
UK

T +44 020 7845 0410

afi@alibifilms.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Untitled Beatrice Gibson First Feature (La Nuit) Untitled Beatrice Gibson First Feature (La Nuit)

Director: Beatrice Gibson

Year: 2026

After an abortion, a woman wanders the streets of Paris, engaging in a series of silent encounters under the neon lights of Chinatown. Taking place over the course of a single night and drawing inspiration from the writings of cult literary figures Kathy Acker, Bernadette Mayer, and Alice Notley, the film intertwines dream and reality. Shot in the reddish glow of karaoke bars, cinemas, and clubs - a collective, feminist autofiction with a cast of artists, poets, and actors.

Ancestors Ancestors

Director: David Turpin

Year:

A love story, a noir mystery and a metaphysical fable, Ancestors follows Beau as he searches 1980s London for his missing friend, Tiny. Dream, reality, memory and history entwine, forcing Beau to come face-to-face with truths beyond life and death.

A man in sunglasses praying at a wedding. Speechless

Director: Adrian Gardner, Ryan Walker-Edwards

Year:

A sharp chaotic comedy set at a British-Jamaican wedding in England, where an anxious gay man’s carefully prepared speech is stolen. As dilated eyes, demonic aunties and uncles close in, he discovers that finding his voice sometimes begins with losing the script.