Over
Synopsis
Official Selection BFI London Film Festival 2015 - Short Film Competition
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 14 mins
- Format
- Arri Alexa (HD)
- Director
-
Jörn Threlfall
- Producer
- Jeremy Bannister, Jörn Threlfall
- Editor
- Amanda James
- Screenwriter
- Jörn Threlfall
- Director of Photography
- Richard Mott
- Production Designer
- Chris Lightburn-Jones
- Sound
- Lennert Busch
- Composer
- Lennert Busch
Genre
Categories
Production Status
Production Company
Lenaray Films Ltd
Jörn ThrelfallSales Company
c/o Lenaray Films Ltd
Jörn ThrelfallPage updates
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See also
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Touched-body, soul and credit card
Director: Jörn Threlfall
Year: 1998
In a Kansas City motel, an independent film crew is shooting a sequence on closed-circuit TV which explores the thin divide between intimacy and violence. All day long, the motel's boss stares drunkenly at surveillance monitors showing all the activity in the building. The film scene sparks off very different reactions in the boss and in a young woman who works at the motel. Later, confusion over real and 'fabricated' surveillance tapes exposes an unspeakable threat to the young woman. Ted, the film's director, realises too late the reality of the danger she is in. Reality and fiction come into conflict, and the characters are forced to test their abilities to deal with the complexities of emotional crisis. The film explores the notion that all forms of surveillance used in contemporary society fracture people's identities, creating electronic and dislocated personalities that exist and operate autonomously from the individual. The film examines the consequences of our increasing obsession with the 'need to know', and explores how effortlessly technology and surveillance have become accepted as an invisible presence that provides us with a vision of reality or 'technological truth'. How far removed are we from being able to communicate innocently and emotionally, from being able simply to 'touch' or connect with one another, without the pervasive need to dissect and evaluate?
GAWD v. The People
Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson
Year: 2026
In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere
Para Los Contrincantes (For the Opponents)
Director: Federico Luis
Year: 2026
In the tough neighbourhood of Tepito, a young boy chases the great Mexican dream: to become a boxing champion. Official Selection Cannes Film Festival 2026 - Short Film Competition