Over

Director: Jörn Threlfall

Year: 1998

In a Kansas City motel, an independent film crew is shooting a sequence on closed-circuit TV which explores the thin divide between intimacy and violence. All day long, the motel's boss stares drunkenly at surveillance monitors showing all the activity in the building. The film scene sparks off very different reactions in the boss and in a young woman who works at the motel. Later, confusion over real and 'fabricated' surveillance tapes exposes an unspeakable threat to the young woman. Ted, the film's director, realises too late the reality of the danger she is in. Reality and fiction come into conflict, and the characters are forced to test their abilities to deal with the complexities of emotional crisis. The film explores the notion that all forms of surveillance used in contemporary society fracture people's identities, creating electronic and dislocated personalities that exist and operate autonomously from the individual. The film examines the consequences of our increasing obsession with the 'need to know', and explores how effortlessly technology and surveillance have become accepted as an invisible presence that provides us with a vision of reality or 'technological truth'. How far removed are we from being able to communicate innocently and emotionally, from being able simply to 'touch' or connect with one another, without the pervasive need to dissect and evaluate?

Director: Stuart St Paul

Year: 1998

In nineteenth century rural England, a German hussar serving with King George III's personal cavalry, Matthaus Singer, falls madly in love with Frances Groves, the only daughter of a West Country solicitor. Based on the short story 'The Melancholy Hussar' by Thomas Hardy

Director: Sara Nourizadeh

Year: 2026

Set in a mosque waiting room in 1980s South Wales, and inspired by the true story of writer-director Sara Nourizadeh's parents, a young couple whose relationship crossed boundaries of culture, faith and expectation. At a time when Iranian politics dominated UK headlines and shaped public attitudes, a Welsh woman and her Iranian fiancé prepare for an Islamic conversion ceremony – a requirement they must fulfil if they are to marry. What follows is a quietly charged and emotionally intimate portrait of two people trying to navigate a moment that is both deeply personal and subtly political. As they wait for the ceremony to begin, small details – a trembling hand, a whispered joke, a fleeting moment of doubt – reveal the emotional stakes beneath the surface. Their conversation dances between humour and tension, affection and uncertainty, reflecting the push and pull of family pressures, cultural misunderstandings, and their own hopes for the future. Authentic VHS archive footage of the real couple is interwoven within this scripted drama, grounding the film in lived experience and offering an unexpectedly tender glimpse into the decades that followed.