Project Detail

Pre-Image (Blind as the Mother Tongue)

Synopsis

As a member of the immigrant generation that illegally journeyed from Iraqi Kurdistan to Europe on foot, Hiwa K’s ‘Mirror’ simulates an experience of walking through foreign territory. Using an “object-sculpture” made of stick and motorbike mirrors which he balances on his nose, Hiwa K finds his way.
Official Selection BFI London Film Festival 2017 - Experimenta Strand

Details

Year
2017
Type of project
Shorts
Running time
18 mins
Format
Single channel HD video, 16:9, color, sound (with English language)
Director
Hiwa K
Producer
OpenVizor, Abbas Nokhasteh
Executive Producer
Abbas Nokhasteh
Editor
Steffen Martin, Ben Brix, Alois Späth
Screenwriter
Hiwa K
Director of Photography
Constantine Nissidis, Constantinos Hadzinikolaou
Sound
Steffen Martin, Alois Späth
Commissioned by
documenta 14
Image
Courtesy the artist, KOW, Berlin and prometeogallery di Ida Pisani, Milan – Lucca

Production Status

Production Company

Sales Company

prometeogallery di Ida Pisani, Milan – Lucca

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A couple lean on each other with their backs to the camera. When We Stop Spinning

Director: Marcus Dyer

Year: 2026

When We Stop Spinning is a short film about love, human connection, healing and loss. An independent drama created for audiences who love thoughtful storytelling and visually driven filmmaking.

The CN Tower viewed from a hotel window Two Pids

Director: John Smith

Year: 2026

After the world premiere of his film Being John Smith at the Toronto International Film Festival, an unexpected encounter in a hotel elevator leads the filmmaker to question the nature of reality.

A dog in a crudely made fox costume is sat being fed by a yellow marigold glove on the end of a wooden pole. A Skulk in London

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.