PU EKAW TNOD

Director: Rebecca Culverhouse

Year: 2018

An experimental horror short that explores the modern disease becoming known as consumption. It follows successful product photographer Anna, who aims for a life filled with perfect moments, inspired by a constant stream of social media feeds, sponsored blogs and fairytales playing on her computer. Yet whenever alone Anna's beautifully curated life is taken over by a growing hunger, and she starts hearing disturbing organic sounds. She controls this by eating pretty things, yet the hunger and sounds become inescapable, until even the men she dates become consumable objects. Critiquing the insidious influence of advertising and corporations that has seeped into our digital lives. Made of endlessly looping cinemagraphs, it subverts a trendy online medium in order to reflect the impossibility of attaining everlasting perfection, something that we are socially conditioned to strive for. The film contains many hidden references, such as the myth of King Midas, pro-Ana online support groups and the Algonquin cannibal spirit Wetiko - a metaphor for society’s dopamine addiction and the inner void it creates. Anna's story also exists as an endlessly looping series of perfect moments here: instagram.com/annaeatspretty

Director: Antonia Campbell-Hughes

Year: 2026

In Geneva's wealthy international circles, privileged expatriates navigate their luxurious lives while dealing with personal dramas and hidden secrets.

Director: Blaize Mott

Year: 2026

Donald, a lonely young man desperate to improve his dating life, hires a manipulative pick-up artist, Charles, to teach him how to meet and attract women. Over the course of one night in London, Donald is pulled into a world of performance, pressure and control, where confidence becomes coercion and desire begins to blur with power. What began as a harmless lesson on love transforms into a night where the methods he is instructed to use to achieve his goal are far darker than he could have ever imagined.