#eatpretty
Synopsis
Critiquing the insidious influence of advertising and corporations that has seeped into our digital lives. Made of endlessly looping cinemagraphs, it subverts a trendy online medium in order to reflect the impossibility of attaining everlasting perfection, something that we are socially conditioned to strive for. The film contains many hidden references, such as the myth of King Midas, pro-Ana online support groups and the Algonquin cannibal spirit Wetiko - a metaphor for society’s dopamine addiction and the inner void it creates.
Anna's story also exists as an endlessly looping series of perfect moments here: instagram.com/annaeatspretty
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 3 min 35 sec
- Format
- Digital
- Director
-
Rebecca Culverhouse
- Producer
- Pamela Pifferi
- Co-Producer
- Fiona Lamptey
- Executive Producer
- Catherine Bray
- Editor
- Rebecca Culverhouse
- Screenwriter
- Rebecca Culverhouse
- Director of Photography
- Jacob Sacks-Jones
- Production Designer
- Amy Thompson
- Sound
- Patrick Lee
- Principal cast
- Roseanna Frascona, Peter McPherson
- Voice Actors
- James Percy, Abigail Halley
- Wardrobe Stylist
- Emma Lightbown
- Hair & Make up
- Gina Dowle
Categories
Production Status
Production Company
Commissioned by Random Acts
Little Dot Studios
Rebel Cub
Rebecca CulverhousePage updates
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See also
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Loss.y
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Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026
GAWD v. The People
Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson
Year: 2026
In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere