#eatpretty
Synopsis
Critiquing the insidious influence of advertising and corporations that has seeped into our digital lives. Made of endlessly looping cinemagraphs, it subverts a trendy online medium in order to reflect the impossibility of attaining everlasting perfection, something that we are socially conditioned to strive for. The film contains many hidden references, such as the myth of King Midas, pro-Ana online support groups and the Algonquin cannibal spirit Wetiko - a metaphor for society’s dopamine addiction and the inner void it creates.
Anna's story also exists as an endlessly looping series of perfect moments here: instagram.com/annaeatspretty
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 3 min 35 sec
- Format
- Digital
- Director
-
Rebecca Culverhouse
- Producer
- Pamela Pifferi
- Co-Producer
- Fiona Lamptey
- Executive Producer
- Catherine Bray
- Editor
- Rebecca Culverhouse
- Screenwriter
- Rebecca Culverhouse
- Director of Photography
- Jacob Sacks-Jones
- Production Designer
- Amy Thompson
- Sound
- Patrick Lee
- Principal cast
- Roseanna Frascona, Peter McPherson
- Voice Actors
- James Percy, Abigail Halley
- Wardrobe Stylist
- Emma Lightbown
- Hair & Make up
- Gina Dowle
Categories
Production Status
Production Company
Commissioned by Random Acts
Little Dot Studios
Rebel Cub
Rebecca CulverhousePage updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
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PU EKAW TNOD
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Year: 2023
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Anak Where Did We Stay?
Director: Sadia Pineda Hameed
Year: 2026
ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).
Moving Sound
Director: Sadia Pineda Hameed
Year: 2025
MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.