Project Detail

Quantaform

Synopsis

QUANTAFORM is a short film starring James Wilson. It is based on the music of Ambrose Field and produced by Screen Yorkshire. Filmed entirely on location, it features a diverse range of sites from across the Yorkshire region, matching heritage to acoustic science for the first time.

Details

Year
2020
Type of film
Shorts
Running time
24 min 58 sec
Director
James Wilson
Producer
Richard Knight
Editor
Leon Wright
Director of Photography
Robert Beck
Sound
Ben Eyes, Pál Kerekes
Composer
Ambrose Field
Principal cast
James Wilson

Production Status

Production Company

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A finger points at the hook of the old explosive device. Terror Element

Director: Anna Engelhardt, Mark Cinkevich

Year: 2025

Forensic science is scrutinised when a fictional investigator questions procedures and motivations in the politicised 1999 bombings of flats in Russia. Official Selection BFI London Film Festival 2025

The skull reliquary of Saint Mary Magdalene in RESURRECT ME AS A PARASITE Resurrect Me As a Parasite

Director: Gabi Dao, Lou Lou Sainsbury

Year: 2025

A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow. Official Selection BFI London Film Festival 2025 - World premiere

Border as interface Border as interface

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025