Renaissance
Synopsis
Karas finds a connection between Ilona and scientist Dr Jonas Muller (Ian Holm), and he meets Ilona’s beautiful sister Bislane (Catherine McCormack). He builds an intriguing picture of the missing girl and he retraces her movements through the jungles that are the new Parisian districts: he is spied on, threatened, witnesses are assassinated and someone tries to kill him.
The cop no longer knows if his quarry is angel or monster. To find Ilona becomes a matter of life or death for Karas and for the whole of civilization.
Details
- Year
- 2007
- Type of project
- Features
- Running time
- 105 mins
- Format
- 35mm
- Director
-
Christian Volckman 1st Feature
- Producer
- Aton Soumache, Alexis Vonarb
- Screenwriter
- Matthieu Delaporte Alexandre De La Patelliere
- Principal cast
- Daniel Craig, Catherine McCormack, Romola Garai, Ian Holm, Kevork Malikyan, Jonathan Pryce
Genre
Production Status
Production Company
Timefirm Ltd
19 Cranbury RoadLondon SW6 2NS
UK
T+44 (0)20 7736 8673
timothy@timothyburrill.co.uk
Sales Company
Odyssey Entertainment
10 James StreetLondon WC2E 8BT
UK
T+44 (0)20 7520 5610
sales@odyssey-entertainment.co.uk
Page updates
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See also
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Renaissance
Director: Christian Volckman
Year: 2007
A beautiful young woman, Ilona Tasuiev is violently kidnapped. Initial attempts to find her are in vain, but no ransom has been demanded. As the snow falls, and Officer Karas takes over the investigation, he knows that he holds Ilona's future in his hands. The cop sinks deeper and deeper into the urban jungles that are the new Parisian districts, governed by local mafia and militia: cities within a city, dedicated to partying and forbidden pleasures. Karas finds a connection between Ilona and disgraced scientist, Jonas Muller, and he meets Ilona's sister, Bislane, an organizer of underground techno raves. Karas constructs an intriguing picture of the missing girl, a child of war and exile, envied for her beauty, possessed of a brilliant imagination and a passion for perfection. As he retraces Ilona's movements, he senses he has unwelcome company, and his stalkers will do anything to get in his way. Karas is spied on and threatened, witnesses are assassinated, someone tries to kill him. The cop no longer knows if his quarry is victim or villain, angel or monster. To locate her becomes a matter of life or death for Karas, and maybe for the whole of civilization. She holds the scientific key to the ultimate question, whether man can be made God: the Renaissance protocol.
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