Renaissance
Synopsis
Karas finds a connection between Ilona and scientist Dr Jonas Muller (Ian Holm), and he meets Ilona’s beautiful sister Bislane (Catherine McCormack). He builds an intriguing picture of the missing girl and he retraces her movements through the jungles that are the new Parisian districts: he is spied on, threatened, witnesses are assassinated and someone tries to kill him.
The cop no longer knows if his quarry is angel or monster. To find Ilona becomes a matter of life or death for Karas and for the whole of civilization.
Details
- Year
- 2007
- Type of project
- Features
- Running time
- 105 mins
- Format
- 35mm
- Director
-
Christian Volckman 1st Feature
- Producer
- Aton Soumache, Alexis Vonarb
- Screenwriter
- Matthieu Delaporte Alexandre De La Patelliere
- Principal cast
- Daniel Craig, Catherine McCormack, Romola Garai, Ian Holm, Kevork Malikyan, Jonathan Pryce
Genre
Production Status
Production Company
Timefirm Ltd
19 Cranbury RoadLondon SW6 2NS
UK
T+44 (0)20 7736 8673
timothy@timothyburrill.co.uk
Sales Company
Odyssey Entertainment
10 James StreetLondon WC2E 8BT
UK
T+44 (0)20 7520 5610
sales@odyssey-entertainment.co.uk
Page updates
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See also
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Renaissance
Director: Christian Volckman
Year: 2007
A beautiful young woman, Ilona Tasuiev is violently kidnapped. Initial attempts to find her are in vain, but no ransom has been demanded. As the snow falls, and Officer Karas takes over the investigation, he knows that he holds Ilona's future in his hands. The cop sinks deeper and deeper into the urban jungles that are the new Parisian districts, governed by local mafia and militia: cities within a city, dedicated to partying and forbidden pleasures. Karas finds a connection between Ilona and disgraced scientist, Jonas Muller, and he meets Ilona's sister, Bislane, an organizer of underground techno raves. Karas constructs an intriguing picture of the missing girl, a child of war and exile, envied for her beauty, possessed of a brilliant imagination and a passion for perfection. As he retraces Ilona's movements, he senses he has unwelcome company, and his stalkers will do anything to get in his way. Karas is spied on and threatened, witnesses are assassinated, someone tries to kill him. The cop no longer knows if his quarry is victim or villain, angel or monster. To locate her becomes a matter of life or death for Karas, and maybe for the whole of civilization. She holds the scientific key to the ultimate question, whether man can be made God: the Renaissance protocol.
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Yellow Bucket
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Year: 2025
Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.