Replica

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.

Director: James Stephen Wright, George Finlay Ramsay

Year: 2020

Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.

Director: Anna Maguire, Kyle Greenberg

Year: 2026

What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.