SaF05
Synopsis
SaF05 is the last in a trilogy of videos that began with Stoneymollan Trail (2015) and was followed by BRIDGIT (2016). This autobiographical cycle traces the accumulation of affinities, desires and losses that form a self as it moves forward in time.
Official Selection Toronto International Film Festival - Wavelengths
Details
- Year
- 2019
- Type of project
- Shorts
- Running time
- 40 mins
- Director
-
Charlotte Prodger
- Producer
- Charlotte Prodger
- Editor
- Charlotte Prodger
- Colourist
- Jason R Moffat
Genre
Categories
Production Status
Production Company
Commissioned by Scotland + Venice – a partnership between Creative Scotland, British Council Scotland and the National Galleries of Scotland – with funding support from the National Lottery through Creative Scotland, and curated by Linsey Young with Cove Park
Charlotte Prodger
c/o Koppe AstnerSales Company
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See also
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Stoneymollan Trail
Director: Charlotte Prodger
Year: 2015
Using the metaphor of the Stoneymollan Trail, a hiking trail out of Glasgow, the film explores Charlotte Prodger’s personal archive, with material from multiple formats that includes an archive of miniDV tapes that Prodger shot between 1999 and 2004, recent footage shot on her iPhone and HD camera, and screenprinted graphic forms. The resulting single-screen video piece is a meditation on memory, subjectivity and desire. BFI London Film Festival 2015 - World premiere
Moving Sound
Director: Sadia Pineda Hameed
Year: 2025
MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.
No Archive Can Restore this Chorus of (Diasporic) Shame
Director: Onyeka Igwe
Year:
Through animated text, layered sound recordings and reimagined protest songs from the 1947 Egba Market women’s revolt, this immersive work creates a sonic redress to colonial narratives of Nigeria. Official selection BFI London Film Festival 2026