SaF05
Synopsis
SaF05 is the last in a trilogy of videos that began with Stoneymollan Trail (2015) and was followed by BRIDGIT (2016). This autobiographical cycle traces the accumulation of affinities, desires and losses that form a self as it moves forward in time.
Official Selection Toronto International Film Festival - Wavelengths
Details
- Year
- 2019
- Type of project
- Shorts
- Running time
- 40 mins
- Director
-
Charlotte Prodger
- Producer
- Charlotte Prodger
- Editor
- Charlotte Prodger
- Colourist
- Jason R Moffat
Genre
Categories
Production Status
Production Company
Commissioned by Scotland + Venice – a partnership between Creative Scotland, British Council Scotland and the National Galleries of Scotland – with funding support from the National Lottery through Creative Scotland, and curated by Linsey Young with Cove Park
Charlotte Prodger
c/o Koppe AstnerSales Company
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See also
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Stoneymollan Trail
Director: Charlotte Prodger
Year: 2015
Using the metaphor of the Stoneymollan Trail, a hiking trail out of Glasgow, the film explores Charlotte Prodger’s personal archive, with material from multiple formats that includes an archive of miniDV tapes that Prodger shot between 1999 and 2004, recent footage shot on her iPhone and HD camera, and screenprinted graphic forms. The resulting single-screen video piece is a meditation on memory, subjectivity and desire. BFI London Film Festival 2015 - World premiere
A Spirit, a Deity, a Barbarian? Captive in the Subterranean
Director: Hannan Jones
Year: 2025
In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.
The Atlas of Sound
Director: Siobhan Silén
Year: 2027
An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.