Stoneymollan Trail

Director: Charlotte Prodger

Year: 2019

SaF05 is named after a maned lioness that figures in the work as a cipher for queer attachment and desire. This animal is the last of several maned lionesses documented in the Okavango Delta and is only known to artist and filmmaker Charlotte Prodger through a database of behaviours and camera-trap footage logged across several years. These indexes of SaF05’s existence are intersected with autobiographical fragments from Prodger’s own life that fluctuate between proximity and distance. Her voiceover traces a chronology of intimate gestures and interpersonal connections from prepubescence to the present, inscribed with the incidental details of territorial delineation, sovereignty and land use. Central to these fluctuations is a tension between macro and micro, the experienced and the described. SaF05 is the last in a trilogy of videos that began with Stoneymollan Trail (2015) and was followed by BRIDGIT (2016). This autobiographical cycle traces the accumulation of affinities, desires and losses that form a self as it moves forward in time. Official Selection Toronto International Film Festival - Wavelengths

Director: Leo Metcalf

Year: 2024

Olly sifts through his memories searching to understand why he is the way he is. The narrative swings between two contrasting worlds: his memories of his first years, captured by his childhood drawings, and surreal underwater live-action scenes representing his dreams. We witness fragmented memories of a torn family - an abusive father, a mother whose memory seems faded, and a sister, Sally, encouraging her little brother to escape through imagination and dreams. As memory and fantasy blur, The Time Before becomes a meditation on the stories we tell ourselves to survive, and what is lost in the telling. Official Selection Aesthetica Film Festival 2024

Director: Pierre-Alain Giraud

Year: 2025

Playing with Fire introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir. At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.