Schrödinger's Cat/Parkwood Avenue
Synopsis
Details
- Year
- 2013
- Type of project
- Shorts
- Running time
- 12 mins
- Format
- High Definition
- Director
-
Joe King, Rosie Pedlow
- Producer
- Joe King, Rosie Pedlow
- Editor
- Joe King, Rosie Pedlow
- Director of Photography
- Joe King, Rosie Pedlow
- Sound
- Joe King, Rosie Pedlow
- Composer
- Joe King
- Sound Mixer
- Mike Wyeld
Genre
Categories
Production Status
Production Company
FOLK///projects
Sales Company
FOLK///projects
Page updates
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See also
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Strange Lights
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Year: 2010
On a winter's night in 1980, American servicemen stationed at an RAF base, witnessed some 'unexplained lights' in Rendlesham Forest. The incident has since become Britain's most famous UFO mystery with abounding rumours of conspiracies and cover-ups. Some argue that the incident was a hoax whilst others believe that the forest is a doorway to another dimension. Maintaining a balance between celebration and criticality, this film revisits the forest, thirty years later, in search of similarly 'inexplicable' events.
Sea Change
Director: Joe King, Rosie Pedlow
Year: 2006
Filmed in a caravan park at the end of the season, Sea Change reveals a landscape dramatically transformed by light and time, and resonating with the transience of human presence. The old caravans that fill the site are soon to be removed and crushed to make way for a new housing development, so the film also acts as a kind of document for an unusual place on the brink of disappearance.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026