Schrödinger's Cat/Parkwood Avenue

Director: Joe King, Rosie Pedlow

Year: 2010

On a winter's night in 1980, American servicemen stationed at an RAF base, witnessed some 'unexplained lights' in Rendlesham Forest. The incident has since become Britain's most famous UFO mystery with abounding rumours of conspiracies and cover-ups. Some argue that the incident was a hoax whilst others believe that the forest is a doorway to another dimension. Maintaining a balance between celebration and criticality, this film revisits the forest, thirty years later, in search of similarly 'inexplicable' events.

Director: Joe King, Rosie Pedlow

Year: 2006

Filmed in a caravan park at the end of the season, Sea Change reveals a landscape dramatically transformed by light and time, and resonating with the transience of human presence. The old caravans that fill the site are soon to be removed and crushed to make way for a new housing development, so the film also acts as a kind of document for an unusual place on the brink of disappearance.

Director: Clare Richards

Year: 2026

A split-screen dome projection is not something you see every day, yet its subject could hardly be more ordinary: public benches, located mainly in Plymouth, on the south coast of England. Whenever Tim Hart spots a new one, he takes a photograph, as he has done for 50 years. Just one photo, no more. “Cause it’s the same bench,” he explains amiably in Clare Richards’s documentary, which fills one half of the projection. On the other half, an orchestra performs Samuel D Loveless’ score, also titled BENCHES. His music follows the rhythm of Hart’s daily life as he walks from bench to bench, photographs them, sometimes sits down for a while, then moves on. And not just benches: Hart also photographs telephone booths, fairs, and more. Neurodivergent composer Loveless discovered the photographic archive of his autistic uncle Tim and was struck by the beauty of the everyday, patiently collected over decades. It gave Loveless an opportunity to celebrate a neurodivergent way of seeing the world, not by explaining it, but by sharing it.