SECULAR | Aa'La'Ma'Ni
Synopsis
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 50 min 40 sec
- Director
-
Khaldoun H. Shami
- Producer
- Khaldoun H. Shami
- Co-Producer
- Lamees Assaf
Categories
Production Status
Production Company
Khaldoun H. Shami
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Palm to Palm: Love, Home, Family
Director: Khaldoun H. Shami
Year: 2019
Eliane from Chile, Milad from Iran, and Georgia from Greece are three migrants in the UK who share their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.
Stage
Director: Brett Morgen
Year: 2027
An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere
India's Circularity: Not a Trend, But Tradition from Margins
Director: Purva Tavri
Year: 2026
Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.