Shooting With Music

Director: Jacqui Morris, David Morris

Year: 2020

A reinvention of Charles Dickens’ A Christmas Carol. The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance. The opening scenes of the film follow a Victorian family preparing a toy theatre for their annual performance of 'A Christmas Carol'. As the family's grandmother narrates the much-edited story and her grandchildren change the scenery, we enter the imagination of one of the children in the audience and watch as the cardboard stage, and the story with it, transforms into a darkly fantastical otherworld.

Director: Jacqui Morris, David Morris

Year: 2014

As editor of The Sunday Times for fourteen years, Sir Harold Evans proved to be the right man in the right place at the right time. In an investigative climate all too rare by today's standards, Evans had the freedom and resources to allow teams of journalists to work on long-term projects, including the exposure of Kim Philby as a Soviet spy. Evans' longest and most hard fought campaign was for the victims of Thalidomide. Originally developed by the Germans in World War II to counter effect sarin gas, post-war the drug was blithely prescribed by British doctors as an antidote to morning sickness, unwittingly leading to tens of thousands of children being born with serious defects. The Sunday Times' fight to win compensation for their struggling families would take more than a decade, as Evans tenaciously pursued the drug companies through the English courts and beyond. Sheffield Doc/Fest 2014 - World premiere

Director: Jacqui Morris, David Morris

Year: 2012

Unprecedented access to the twentieth century's most revered war photographer. Don McCullin worked for The Sunday Times from 1969 to 1984, at a time where, under the editorship of Harold Evans, the newspaper was widely recognized as being at the cutting-edge of world journalism, with Don as its star photographer. During that period he covered wars and humanitarian disasters on virtually every continent and the prominence given to his photo essays coincided with one of the most remarkable periods in the history of photojournalism. With extensive input from Sir Harold Evans, McCullin not only explores Don’s life and work, but also how the ethos of journalism changed during his career. Using the Sunday Times as an example, it compares the strictly ‘hands off’ approach of proprietors like Lord Thompson, who took pride in the fact that he did not want commercial considerations to censor his editors’ from printing what they wanted, to how the newspaper’s independent character changed once it was taken over by Rupert Murdoch, and the pursuit of advertising revenue became paramount, and with it, the inevitable obsessed with fashion, status and celebrity.