Simran Kaur 1970
Synopsis
In a calm examination room, procedures are explained to her in a familiar language, framed as routine and voluntary. What follows is a polite, administrative process that determines her right to enter the country.
When Simran is allowed to leave, the airport resumes its rhythm. Outside, her future husband waits. Life continues.
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 15 min 25 sec
- Format
- 2:35:1
- Director
-
Keshavi Jaharia
- Producer
- Sohail Anjum, Keshavi Jaharia, Avanish Sharma, Swati Agarwal, Faria Imam Esha, Kapil Rijal
- Co-Producer
- Suhail Tatari, Yashika Jaharia
- Editor
- Israr Azam
- Screenwriter
- Keshavi Jaharia
- Director of Photography
- Israr Azam
- Sound
- Ryan Beauchamp
- Composer
- John King
- Principal cast
- Keshavi Jaharia, Sharandeep Salh, Ian Chance, Paul Campion, Kit Sinnett, Rajveer Chana
- Camera Assistant
- Darshan Awari
- Gaffer
- Ajinkya Bhalerao
- Casting
- Think Verve
- Associate Producer
- Sanna Andani
- Associate Producer
- Israr Azam
Categories
Production Status
Production Company
Blue Sapphire Films
Avanish SharmaSuite 65 Churchill House
137-155 Brent Street
London, NW4 4DJ
Sales Company
Midnight Draft Studios
Sohail Anjum1a Strathearn Road
Wimbledon
London
SW19 7LH
Page updates
This page was last updated on 28th September 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
West the Road
Director: Ita Fitzgerald
Year:
A group of women are brought together by the death of their childhood friend, Margaret. When they discover she was forced to give up her daughter for adoption as a teen, they embark on a journey up the Wild Atlantic coastline, to find the child.
Merry Christmas Bill
Director: A.D. Cooper
Year: 2026
When two con men try to scam an elderly woman in her own home, they think they're on for a sure bet. But they quickly discover that she is not the gullible old dear they anticipated. Tables are turned when the victim turns predator.
Venice "Sadness rises in me like the sea" WINTER LIGHT
Director: Nina Danino
Year: 2026
“You are a sky of autumn, pale and rose; But sadness in me rises like the sea" The Eyes of Beauty, Charles Baudelaire, The Flowers of Evil In Greenwich Park, London two lovers stroll and talk about love, their relationship and the making of a film in Venice. The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, is seen walking in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets. In gilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere, she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence, exotic pleasure and lovers, exemplified by Venice.