So Long (We Dreamt of This)
Synopsis
Official Selection Annecy International Animation Festival 2022
Details
- Year
- 2021
- Type of project
- Shorts
- Running time
- 6 min
- Format
- 16mm, digital
- Director
-
Lewis Heriz
- Producer
- Lewis Heriz, Animation Department Royal College of Art
- Executive Producer
- Lewis Heriz, Animation Department Royal College of Art
- Editor
- Lewis Heriz
- Screenwriter
- Lewis Heriz
- Director of Photography
- Lewis Heriz
- Sound
- V. R. Alevizos, Lewis Heriz, Oliver Mapp
- Composer
- DrumTalk
- Additional Animation
- Sanjana Chandrasekhar, Loïc Kreyden
Genre
Categories
Production Status
Production Company
Royal College of Art
Animation DepartmentSuzanne Buchan
Kensington Gore
London
SW7 2EU
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Scent of a Question Burning
Director: Drew Hewitt
Year: 2025
A vicar reflects upon a strange incident that occurred in his rural English parish twenty- five years earlier. His investigations draw him into a mystery that challenges his profound sense of reason and tests the foundation of his faith.
The Lives of Brian
Director: Bill Jones, Ben Timlett
Year: 2027
An intimate and wildly entertaining portrait of rock legend Brian Johnson, THE LIVES OF BRIAN charts his journey from working-class Newcastle to fronting AC/DC and recording the best-selling rock album of all time, told with his trademark wit, raw honesty, and a touch of Monty Python flair.
the thought of the innermost being
Director: Jack Jeffreys
Year: 2026
Fish are nightly invaders of my sleep. Work consumes my dreams. Night gives way to another commute; adverts appear before me, their faces drawn tight. The day passes again, and at night, within the walls of my workplace, a fishmonger’s in London, dreams appear again, this time, a grief-stricken reverie, memories of my father. The film's title is inspired by Maurice Blanchot’s ‘The Book to Come’ which incited my exploration of whether images can capture anything sacred in a world of dispossession. A diaristic, psychogeographic journey through a city that metastasises uncontrollably before me, the film captures a form of alienation that supersedes and confounds the trajectory of grief. What is lost when all becomes gloss? Official Selection BFI London Film Festival 2026