Project Detail

So Long (We Dreamt of This)

Synopsis

Someone who we never see – a 'nobody' – tries to tend to their plants, but persistent inner voices draw them into an alienating place with the promise of communication through pure thought. Where are we in this vision? Are we an observer of this experience, or experiencing it ourselves? Where is the division between us?
Official Selection Annecy International Animation Festival 2022

Details

Year
2021
Type of project
Shorts
Running time
6 min
Format
16mm, digital
Director
Lewis Heriz
Producer
Lewis Heriz, Animation Department Royal College of Art
Executive Producer
Lewis Heriz, Animation Department Royal College of Art
Editor
Lewis Heriz
Screenwriter
Lewis Heriz
Director of Photography
Lewis Heriz
Sound
V. R. Alevizos, Lewis Heriz, Oliver Mapp
Composer
DrumTalk
Additional Animation
Sanjana Chandrasekhar, Loïc Kreyden

Production Status

Production Company

Royal College of Art

Animation Department
Suzanne Buchan
Kensington Gore
London
SW7 2EU

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A still from the film depicting a dancer being shadow projected Adage

Director: Jack Barrett

Year: 2025

Adage is a ballet term which refers to a slow and graceful sequence of movements - in this film artist/ filmmaker Jack Barrett seeks to juxtapose this with disorientating abstraction caused by process and editing. Barrett utilises risograph, mono-print, shadow projection and manual point tracking to create varying levels of abstraction, in turn playing with our associated perception of movement. Official Selection Annecy Festival 2026

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026

An Immersive Theatre / XR image of a courtroom with large television amongst a wraparound screen with scenes of humanity GAWD v. The People

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere