Song of Songs

Director: Josh Appignanesi

Year: 2025

A feature documentary journeying into the depths of the COP climate conference in Dubai. Are these enormous get-togethers all about false promises that hinder change? Or are they the only hope we've got for world-saving unity? With his innocuous selfie-stick, filmmaker Josh Appignanesi moves unnoticed through Dubai's seductive slickness to reveal the talks, meetings and backroom parties behind the strange mixture of global cry for help and political jostling that is a COP. Lost in translation, he comes face to face with the irony of an oil baron hosting this last-chance climate saloon in a techno-utopian leisure city -- that, er, happens to be built in a burning desert. But then the business-as-usual is ruptured by a searing encounter with indigenous voices from the frontline of climate injustice…

Director: Josh Appignanesi

Year: 2023

What does it take for us to act on the climate crisis – especially if we’re the kind of person who should already be acting? In this funny, relatable portrait, a concerned yet ineffectual dad finds the first step is letting those unbearable feelings of climate anxiety in, instead of pushing them aside. But as he meets others like him, he discovers how oil-backed propagandists funded our denial and paralysis. He sets out to unmask the vested interests responsible, helping raise a generation’s leading authors in a vibrant chorus. MY EXTINCTION is a revealingly honest account of how to feel your feelings, act on your privilege, and get active when threatened with extinction.

Director: Josh Appignanesi

Year: 2018

The Tate Gallery recently staged a retrospective of the surrealist Leonora Carrington (1917- 2011), famously the lover of Max Ernst. Novelist Chloe Aridjis, who knew the artist from her native Mexico, was made guest curator of the exhibition. Set between the real-life curation of the Tate show and something more fantasised, FEMALE HUMAN ANIMAL sees Chloe increasingly disappointed by her milieu - and increasingly haunted by Carrington’s strange artworks. When an elusive, brooding man seems to offer more, Chloe begins to pursue him, but is she hunter, or hunted? Enabled by Carrington’s own defiantly mysterious mythology, she descends into a world of obsession. Shot on a rare '80s video camera with a unique look, and deftly weaving fact and fiction, the film offers a darkly romantic fantasia of a woman who goes beyond societal norms, putting on screen the lurid unconscious of our new sexual politics. Official Selection BAFICI Buenos Aires International Independent Film Festival 2018 - World premiere