Stooge
Synopsis
Details
- Year
- 2017
- Type of project
- Features
- Running time
- 73 min
- Format
- Digital
- Director
-
Madeleine Farley
- Producer
- Madeleine Farley, Martin Kloiber, Stephen Smith, Mike Wallington
- Co-Producer
- Robert Pargiter
- Executive Producer
- Claire Best, Gary Warden
- Editor
- Anna Dick
- Director of Photography
- Madeleine Farley
- Sound
- Martin Kloiber
- Composer
- Iggy & The Stooges, Endless Boogie
- Principal cast
- Robert Pargiter, Peter Thellusson, Iggy Pop, Madeleine Farley,
Categories
Production Status
Production Company
Oh Come On Productions
5 Roland GardensLondon SW7 3PE
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See also
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Trollywood
Director: Madeleine Farley
Year: 2004
Trollywood initially started out as a collection of still photographs. The director, up and coming UK talent Madeleine Farley, was fascinated by the isuue of homelessness in Los Angeles, a city renowned - or at least in popular conception- for its opulence. As a symbol of material divide, Madeleine decided to focus on the humble shopping carts littered around LA as a central theme- ie. as both consumer tool to some whilst being a portable home to others. Through her time spent photographing the homeless and the numerous conversations that ensued, Madeleine soon realised that there was a vast untapped wealth of personal testimony and that only a documentary could do the subject justice. This view was further cemented when a news story broke about an LA legal case involving the making and profiteering from a video called 'Bumfights' in which homeless people, often under the influence of alcohol, were filmed inflicting harm on themselves. The makers of the film, whilst making in the region of $6m dollars, were let off with 250hrs of community service. Trollywood will focus on interviews with the homeless, Government officials, Charitable foundation workers, Mental health organisations etc. in a moving, well rounded look at a serious issue. More than anything, the programme will aim to be educational and uplifting, presenting homelessness with a human face and also providing an awareness of various remedial organisations. Essentially, Madeleine's intent is to show that amongst great material deprivation there exists a unique culture with its own sense of spiritual wealth.
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