Stooge

Director: Madeleine Farley

Year: 2004

Trollywood initially started out as a collection of still photographs. The director, up and coming UK talent Madeleine Farley, was fascinated by the isuue of homelessness in Los Angeles, a city renowned - or at least in popular conception- for its opulence. As a symbol of material divide, Madeleine decided to focus on the humble shopping carts littered around LA as a central theme- ie. as both consumer tool to some whilst being a portable home to others.   Through her time spent photographing the homeless and the numerous conversations that ensued, Madeleine soon realised that there was a vast untapped wealth of personal testimony and that only a documentary could do the subject justice. This view was further cemented when a news story broke about an LA legal case involving the making and profiteering from a video called 'Bumfights' in which homeless people, often under the influence of alcohol, were filmed inflicting harm on themselves. The makers of the film, whilst making in the region of $6m dollars, were let off with 250hrs of community service.   Trollywood will focus on interviews with the homeless, Government officials, Charitable foundation workers, Mental health organisations etc. in a moving, well rounded look at a serious issue. More than anything, the programme will aim to be educational and uplifting, presenting homelessness with a human face and also providing an awareness of various remedial organisations. Essentially, Madeleine's intent is to show that amongst great material deprivation there exists a unique culture with its own sense of spiritual wealth.

Director: Julian Konczak

Year: 2025

Following a pilgrimage through the sacred sounds of India – a land of many faiths, including Vedanta, Islam and Buddhism. Using striking visual material accompanied by an evocative, multi-layered soundtrack, the audience is taken on a unique sonic journey through the sacred sound practices of many of the world’s key religions. A combination of interviews, performances, and natural sounds creates a rich, immersive cinematic experience. With an intimate, direct camera style, viewers can get close to the many spiritual practitioners, musicians, and meditation teachers who form the fabric of the journey. Bubbling hot springs, subtropical nocturnal symphonies of insects, and harsh, frozen mountain winds combine with mantra chanting, classical Hindustani music, and the dynamic temple sounds of drums and trumpets. This audiovisual tone poem invites you to experience heightened sensory awareness and the transformative, healing power of sound.

Director: Eamon Bourke

Year: 2026

Filmmaker Eamon Bourke lost his mother, Sue, when he was three and has no memory of her. When his father decides to sell the remote Lake District home where she died, Eamon returns with his camera to document the house and its clearing. Among Sue’s belongings - diaries, poems, photographs and tapes - he discovers a box of damaged cassette recordings. After painstakingly repairing them, he uncovers something extraordinary: his mother’s voice. Through these intimate audio diaries, Sue speaks candidly about motherhood, sings to her children, and captures fleeting family moments Eamon never knew. One final tape records her describing the onset of hepatitis, days before she fell into a coma and died in 1983. Another, more haunting still, features three-year-old Eamon calling out to his unconscious mother in hospital, in a desperate attempt to bring her back. As Eamon pieces together this archive, he confronts the enduring impact of early loss, speaking with his father and sisters while retracing the emotional landscape of his childhood. Set against the vast beauty of the Lake District, a deeply personal exploration of grief, memory and love - an attempt to recover what was lost, and to finally say goodbye.