Stooge

Director: Madeleine Farley

Year: 2004

Trollywood initially started out as a collection of still photographs. The director, up and coming UK talent Madeleine Farley, was fascinated by the isuue of homelessness in Los Angeles, a city renowned - or at least in popular conception- for its opulence. As a symbol of material divide, Madeleine decided to focus on the humble shopping carts littered around LA as a central theme- ie. as both consumer tool to some whilst being a portable home to others.   Through her time spent photographing the homeless and the numerous conversations that ensued, Madeleine soon realised that there was a vast untapped wealth of personal testimony and that only a documentary could do the subject justice. This view was further cemented when a news story broke about an LA legal case involving the making and profiteering from a video called 'Bumfights' in which homeless people, often under the influence of alcohol, were filmed inflicting harm on themselves. The makers of the film, whilst making in the region of $6m dollars, were let off with 250hrs of community service.   Trollywood will focus on interviews with the homeless, Government officials, Charitable foundation workers, Mental health organisations etc. in a moving, well rounded look at a serious issue. More than anything, the programme will aim to be educational and uplifting, presenting homelessness with a human face and also providing an awareness of various remedial organisations. Essentially, Madeleine's intent is to show that amongst great material deprivation there exists a unique culture with its own sense of spiritual wealth.

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.