Superbabe
Synopsis
Details
- Year
- 0000
- Type of project
- Features
- Director
-
Stacey Gregg 2nd Feature
- Executive Producer
- Eva Yates
- Screenwriter
- Louise Brown (book), Stacey Gregg (screenplay)
- Production Status Note
- In Development 10.05.24
Genre
Categories
Production Status
Production Company
A SunnyMarch production. Supported by BBC Film
Page updates
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Here Before
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Year: 2020
When a new family moves in next door to Laura and her family, their young daughter, Megan, quickly captivates her, stirring up painful memories of her own daughter, Josie, who died several years previously. Before long, Laura's memories turn to obsession as Megan’s unsettling behaviour begins to convince her of something supernatural. As Laura's determination to get to the bottom of it becomes all consuming, her family begins to fracture and the line between the extraordinary and the real becomes ever more obscured in this haunting story about a mother’s love. Official Selection SXSW Film Festival 2021 - Narrative Feature Competition - World premiere
About an Intimate Matter
Director: Sandeep Kumar Paul
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Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.