The Age of Curious
Synopsis
Details
- Year
- 2013
- Type of film
- Shorts
- Running time
- 7 mins 40 secs
- Format
- HD, DigiBeta
- Director
-
Luca Toth
- Producer
- Animation Staff, Royal College of Art
- Executive Producer
- Royal College of Art
- Editor
- Luca Toth
- Screenwriter
- Luca Toth
- Production Designer
- Luca Toth
- Sound
- Mike Wyeld, Luca Toth
- Composer
- Zuzia Ziolkowska
- Principal cast
- Sophie Gate, Joe Bichard, Simon Roberts, Regina Freedman
- Music performed by
- Cliff Stapleton, Vesela Stoyanova, Eleanor Roberts
Genre
Categories
Production Status
Production Company
Animation Department
Royal College of ArtKensington Gore
London
SW7 2EU
Tel: +44 (0) 20 7590 4512
Sales Company
Future Shorts
2-18 Warburton RoadLondon
E8 3RT
Tel: +44 (0)20 7739 6055
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.

Director: Luca Toth
Year: 2012
Martin's first experience of life was rather positive. He was swimming with thousands of similar sperms towards the warmly inviting egg. Reached it, Martin was the winner, the quickest one of all. Was it determination or beginners luck?

Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025

Director: David Johnson
Year: 2025
A mischievous little penguin, misbehaving at the dinner table, is sent off to the naughty seat - and it's not long before he has company! Official Selection BFI London Film Festival 2025