Project Detail

The Banana Republic

Synopsis

Leith’s Cables Wynd housing estate, known locally as the “Banana Flats”, became notorious as the crime-ridden centre of Europe’s heroin epidemic in the 1980s. The film follows a photographer and former resident who embarks on a quest to document the triumphs and tragedies that exist inside the estate’s 204 flats.

Details

Year
2015
Type of project
Shorts
Running time
10 mins
Format
HD
Director
Scott Calonico
Producer
Lindsay Goodall
Executive Producer
Sonja Henrici, Noe Mendelle
Editor
Anthea Harvey
Director of Photography
George Cameron Geddes
Sound
Ali Murray
Composer
Ali Murray
Principal cast
Derek Anderson

Categories

Production Status

Production Company

Creative Scotland

Waverley Gate
2 - 4 Waterloo Place
Edinburgh
EH1 3EG

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Everything You Wanted to Know About Sudden Birth* (*but were afraid to ask) Everything You Wanted to Know About Sudden Birth* (*but were afraid to ask)

Director: Scott Calonico

Year: 2019

This is the amazing story of how the Berkeley police department, the Nazi invasion of the Netherlands, an Academy Award winner and Mr. Spock are all connected by "Sudden Birth", one of the most unintentionally hilarious and disturbing educational films ever created. In colour. Official Selection Sundance Film Festival 2019 - International Documentary Short Film Programme

Final Draft Final Draft

Director: Scott Calonico

Year: 2014

What do you need for nuclear war? First of all, a good script.

Contact sheet showing a photographer with a large format camera Edge is Everything

Director: Marisa Privitera Murdoch

Year: 2026

Edge is Everything is a love letter to photography and to the art of truly seeing. For over 30 years, Thomas Joshua Cooper has photographed the furthest edges of land with a 19th century camera. His work bears witness to landscapes transformed by climate change while recovering forgotten histories of migration, exploration and departure. Cooper draws on his Native American heritage and an extraordinary archive of audio interviews he recorded in the 1970s with photography’s most influential figures, including Ansel Adams, Man Ray, Imogen Cunningham and Paul Strand. These previously unheard tapes create a rare intergenerational conversation about photography and artistic practice. The film also examines the cost of an uncompromising creative life. His wife and adult daughter reveal the impact of his prolonged absences and challenge the mythology of the solitary artist. At a time defined by speed, distraction and instant images, Edge is Everything asks what might happen if we slowed down long enough to fully observe. This question has guided Cooper since childhood, when he was taught by his Native American elders: “Each of us has an eye that sees and a seeing eye. When you learn which is which, you will have begun to become human.”