Project Detail

The Castle

Scene from The Castle
Scene from The Castle
Scene from The Castle
Scene from The Castle

Synopsis

A visually-arresting, psychologically layered journey through shifting states of consciousness. The film follows Pandemonia, a London-based conceptual artist who exists as a living artwork - an anonymous avatar navigating both real and constructed worlds. Against the stark backdrop of London’s high-rises, Pandemonia enters a mysterious castle whose corridors, stairways, and chambers form a labyrinth of the mind.

Reality and the subconscious intertwine as each ascent reveals dreamlike spaces, elusive memories, and fragmented versions of self. The castle becomes a metaphor for identity - unstable, multifaceted, and shaped by the interplay of perception and projection.

The work emerged from a unique collaboration with Chinese film maker Tim Yip, who provided a unseen film footage from the Love Infinity project. Using William Burroughs’ cut-up technique, these discarded fragments were deconstructed and reassembled into a new narrative through editing, animation, and digital manipulation. The film’s atmosphere is further enriched by an original score from Taiwanese musicians Code Wu and April Red, whose soundscapes heighten its hypnotic pull.

Blurring the lines between found footage, conceptual performance, and cinematic dream, THE CASTLE invites viewers to explore the unstable architectures of selfhood in our image-saturated, digital age.

Details

Year
2024
Type of project
Shorts
Running time
05:20
Format
Digital Video
Director
Pandemonia
Executive Producer
Mei Hui Liu
Editor
Pandemonia
Screenwriter
Pandemonia
Director of Photography
Tim Yip
Production Designer
Pandemonia
Composer
Code Wu and April Red
Principal cast
Pandemonia
Co-Director
Tim Yip
Post Production
Pandemonia

Production Status

Production Company

Page updates

This page was last updated on 17th October 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A dog in a crudely made fox costume is sat being fed by a yellow marigold glove on the end of a wooden pole. A Skulk in London

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.

I Only Do Real Things I Only Do Real Things

Director: James Stephen Wright, George Finlay Ramsay

Year: 2020

Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.

Galicia! Galicia!

Director: Anna Maguire, Kyle Greenberg

Year: 2026

What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.