Project Detail

The Castle

Scene from The Castle
Scene from The Castle
Scene from The Castle
Scene from The Castle

Synopsis

A visually-arresting, psychologically layered journey through shifting states of consciousness. The film follows Pandemonia, a London-based conceptual artist who exists as a living artwork - an anonymous avatar navigating both real and constructed worlds. Against the stark backdrop of London’s high-rises, Pandemonia enters a mysterious castle whose corridors, stairways, and chambers form a labyrinth of the mind.

Reality and the subconscious intertwine as each ascent reveals dreamlike spaces, elusive memories, and fragmented versions of self. The castle becomes a metaphor for identity - unstable, multifaceted, and shaped by the interplay of perception and projection.

The work emerged from a unique collaboration with Chinese film maker Tim Yip, who provided a unseen film footage from the Love Infinity project. Using William Burroughs’ cut-up technique, these discarded fragments were deconstructed and reassembled into a new narrative through editing, animation, and digital manipulation. The film’s atmosphere is further enriched by an original score from Taiwanese musicians Code Wu and April Red, whose soundscapes heighten its hypnotic pull.

Blurring the lines between found footage, conceptual performance, and cinematic dream, THE CASTLE invites viewers to explore the unstable architectures of selfhood in our image-saturated, digital age.

Details

Year
2024
Type of project
Shorts
Running time
05:20
Format
Digital Video
Director
Pandemonia
Executive Producer
Mei Hui Liu
Editor
Pandemonia
Screenwriter
Pandemonia
Director of Photography
Tim Yip
Production Designer
Pandemonia
Composer
Code Wu and April Red
Principal cast
Pandemonia
Co-Director
Tim Yip
Post Production
Pandemonia

Production Status

Production Company

Page updates

This page was last updated on 17th October 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Face, boy, eclipse A Season in Secret

Director: Matthew Berka

Year: 2027

A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”

Fevers Fevers

Director: James Richards

Year: 2026

Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.