Project Detail

The Signal and The Noise

Synopsis

This piece exposes the parallels of computer coding and genetic coding in humans and animals. Voiced by an anonymous group of ‘hybrid’ machines, from some point in the near future, these ‘narrators’ look at these creatures as inefficient machines and consider ways of editing and improving their code.
The film draws upon the research and tools used by Dr Darren Logan in his investigation of genetically influenced behaviour.

Visit Film Website

Details

Year: 2016
Type of film: Shorts
Running time: 6 mins 46 secs
Format: HD 1920 1080 Quicktime
Director: Charlie Tweed
Producer: Abigail Addison
An Animate Projects commission, supported by Wellcome Trust. Collaborator: Dr Darren Logan

Genre

Climate / Environment Science

Production Status

Complete

Production Company

Animate Projects

Abigail Addison

Visit Website

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

Suggest amendments

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025

Disabilities Docufiction Experimental LGBTQIA+ Sci-Fi

Cardboard

Director: J.P. Vine

Year: 2025

When an overwhelmed single dad pig moves his piglets into a trailer park, he fears he's failed his family. But soon his kids create a wildly imaginative game, and Dad has a choice between dwell on the past or join them on their adventure. Official Selection Annecy International Animation Film Festival 2025 - World premiere Official Selection LA Shorts International Festival 2025 Official Selection BFI London Film Festival 2025

Adventure Children’s Comedy Sci-Fi