The Smallest Things

Director: Ursula MacFarlane

Year: 2019

The inside story of the meteoric rise and monstrous fall of movie titan Harvey Weinstein, revealing how Weinstein acquired and deployed his formidable power over the course of decades. Former staffers, college friends and reporters acknowledge the visionary qualities and brilliance of the man, while reflecting upon his ruthless attempts to preserve his power as scandal threatened to engulf him. In candid, emotional, often harrowing testimony - with many accusers speaking on camera for the first time - the documentary exhumes both the method and the collateral damage of Weinstein’s alleged abuse. As the criminal case against him continues, the film questions whether meaningful change in the justice system - and in the film industry - is really possible. Director Ursula Macfarlane crafts a sinister cinematic landscape exposing the underbelly of the storied Hollywood fairy tale... creating a brilliant, haunting parable for our times and a beacon call for future generations. (Sundance Brochure) Official Selection Sundance Film Festival 2019 - Documentary Premieres - World premiere

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.