Untouchable

Director: Ursula Macfarlane

Year: 2024

On a bright January morning in 2020, 38 year old Clemmie suffered a catastrophic brain haemorrhage. Just a few hours earlier, she’d been a star on the rise - acclaimed broadcaster, writer and musician. Against the odds she emerged from a 17 day coma but, unable to speak or walk, she was now faced with having to rebuild her life. With compelling recordings of her early attempts to speak and walk, we follow Clemmie as she tries to return to work, to finish the book she’d started before her brain injury, and to play her beloved violin again with her son. The film interweaves verité filming with touching home movies and lyrical sequences of Clemmie struggling amidst the cacophony of New York’s streets. Counterpointed throughout are majestic pieces of music from her book. She’s defiant and refuses self-pity, but is haunted by the knowledge that her brain could bleed again at any moment. A film about resilience, rediscovery and identity.

Director: Anna Maguire, Kyle Greenberg

Year: 2026

What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.

Director: Jake J Smith

Year: 2026

For the first time in 30 years, a film crew gains rare access to Pennsylvania’s maximum-security women’s prisons. Inside, The Lady Lifers – a band led by former soul singer Naomi Blount – turn grief into music and defiance. Though Naomi never took a life, she is serving life without parole. To have any hope of freedom, she must express guilt she does not feel – a cruel paradox of the justice system. As her music echoes beyond the prison walls and reaches the public, lawmakers and activists, the question remains: Will her voice be enough to finally set her free - and to free those she left behind? Official Selection Durban International Film Festival 2026