Through the Looking Glass
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 82 mins
- Format
- DV
- Director
-
Craig Griffith 1st Feature
- Producer
- Mike Pringle, Mark Stevenson
- Co-Producer
- Mike Pringle, Mark Stevenson
- Editor
- Claire Pringle
- Screenwriter
- Craig Griffith
- Director of Photography
- Chris Britton
- Production Designer
- Nick Rosier
- Sound
- Thomas Joyce, David Pringle
- Composer
- Cliff Harris
- Principal cast
- Paul MaCarthy, Jonathan Rhodes, Mike Langridge, Roz Povey
- Film Image
- Chris Britton
Categories
Production Status
Production Company
The Workshop Presents...
35 Larkfield RoadSurrey
GU9 7DB
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Long Road
Director: Craig Griffith
Year: 2020
Guy Harris, an arrogant and selfish corporate businessman, is devastated when he finds out he only has a few weeks left to live. All alone, with little time left he decides he must face his estranged father one last time. Hitting the road in ‘Bluey’, the rust bucket MG Midget that he stole from his dad after they fell out at his mum’s funeral, Guy travels the Long Road of self-discovery back to his hometown of Belfast. Along the way, he meets Bryn and Rosie and each encounter, each experience forces him to face up to himself, a man struggling to come to terms with long buried emotions. Guy learns that he must change if he is to put things right before it’s too late.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.