Tokyo Dreams

Director: Nicholas Barker

Year: 1998

Unmade Beds is a black comedy about vanity and desire in modern America. Set in the sexual jungle of the New York singles scene, two men and two women frantically pursue their impossible dreams. Equipped with ample provisions of self-delusion, misogyny, anti-semitism and homophobia, Brenda, Michael, Aimee and Mikey are on the road to heterosexual fiasco. Barker hired a research staff who combed New York for potential characters. Their search led them deep into the New York singles scene. They attended singles events, played the personals, and ran ads in the back page of the New York Press. Disguised as singles on the prowl, they canvassed bars and cafes in Manhattan's diverse neigh-bourhoods, until they found the 'cast'. Employing his unique brand of 'real-fiction' Barker then directed his 'cast' under feature film conditions during the summer, fall and winter of 1996-97. During this period he wrote and rewrote his script in response to the unfolding events in their lives. 'I'd say 90% of the script was based on the actual behaviour and language of the four principal characters' says Barker. 'The rest is a pack of lies'.

Director: Ka Ki Wong

Year: 2026

In present-day Taipei, Tao develops unexplainable affectionate feelings for Shin, an indifferent guy. Desperate to create lasting memories, she sends people to beat him up, using pain as a twisted form of connection. Meanwhile, Melih, having left Istanbul for Taipei, owns a noodle shop. One night, he receives an unexpected flower from the perpetually drunk Ping. Melih begins to stare into the flower from time to time, experiencing the tale of Tao and Shin and revealing his own unspoken desire and failed attempts to connect with Ping. As Melih digs deeper into the tale, he confronts his struggles to form meaningful relationships. His struggle gradually mirrors Tao’s struggle with Shin. As Tao grows closer to Shin, Shin vanishes, leaving Tao to realize that these recollections, retained only by her, might be mere figments of imagination. Tao’s tale then makes Melih question if it’s better to forget everything, as he contemplates whether letting go of solitary memories might finally bring him peace. Official selection CPH:DOX Copenhagen International Documentary Festival 2026 - Next:Wave Competition (World Premiere)

Director: Janire Najera and Matt Wright

Year: 2025

A fulldome dance film set amidst the rich and varied landscapes of Zimbabwe, where performers express the tension, resilience and interconnectedness between people and the natural world under the pressures of climate change. With their movements, the dancers explore the consequences of environmental disruption and the profound ways in which people and nature are intertwined. Through abstract choreography, symbolic imagery and an atmospheric score, the work reflects the planet’s vulnerability, the challenges posed by environmental shifts and the transformative potential of collective effort. As the dancers navigate these ever-changing locations, their movements evoke the escalating consequences of a warming world, capturing both its fragility and the urgent call for action.