Tree Fellers
Synopsis
Details
- Year
- 2006
- Type of project
- Shorts
- Running time
- 24 mins
- Format
- DigiBeta (shot on DV Cam)
- Director
-
Sana Bilgrami
- Producer
- Becky Lloyd, Henry Eagles, Agnes Wilkie
- Co-Producer
- Becky Lloyd, Henry Eagles, Agnes Wilkie
- Editor
- Sitar Rose
- Director of Photography
- Ian Dodds
- Sound
- Marcelo de Oliveira
- Composer
- Marcelo de Oliveira
Genre
Categories
Production Status
Production Company
Asylum Pictures
29 Craiglockhart Road NorthEdinburgh EH14 1BR
Scotland
Sales Company
Asylum Pictures
29 Craiglockhart Road NorthEdinburgh EH14 1BR
Scotland
T/F+44 (0)13 1455 8517
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Across the Waters
Director: Sana Bilgrami
Year: 2005
In 1955, a young girl travelled from a village in Pakistan to the remote and beautiful Scottish island of Lewis. When, fifty years later, her granddaughter is leaving the island, three generations of Pakistani Muslim women and an old Gaelic islander tell us a story of exile and belonging.
Across the Waters
Director: Sana Bilgrami
Year: 2005
Across the Waters is a poetic, reflective journey between two cultures. Fifty years ago, a young girl arrived on the island of Lewis from a village in Pakistan. Now, her granddaughter is going to leave the island. Three generations of Pakistani women and a Gaelic islander give a personal perspective on the island's history, and the sense of belonging and exile that has defined their existence.
The End of Times
Director: Luca Anzalone
Year: 2026
Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.