Project Detail

Typical Girls

Name: Typical Girls
Director: Christine Robertson
Genre: Experimental, Woman Director
Released: 2004
Duration: 5 mins 27 secs

Synopsis

The Slits travelled and toured widely as a group. Accompanying them during 1980 and 1981, Christine Robertson filmed intermittently on Super-8, collected whilst managing The Slits. Typical Girls was completed after the group split up in 1982. Filmed on stage in Berlin and Italy and off stage in the Mojave Desert and Death Valley, the film gives an experimental flavour of the unconventional lifestyle the group lived and the unique music that came out of it.

Details

Year: 2004
Type of project: Shorts
Running time: 5 mins 27 secs
Format: Beta SP
Director: Christine Robertson
Producer: Christine Robertson
Editor: Christine Robertson, Helen Sear
Director of Photography: Christine Robertson
Sound: Mix by Duncan Bridgeman, Christine Robertson
Composer: The Slits
Principal cast: The Slits, The Carpets

Genre

Experimental Woman Director

Production Status

Complete

Production Company

Basement Flat

41B Kingsgate Road
London NW6 4TD, UK

T+44 (0)20 7625 6905

christine@bluegene.org.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

Suggest amendments

Blue Gene Baby portrays visions of Genetic Identity and the scanning of the individual. The complexities of the individual can be reduced to numbers, codes and patterns through science. Genetic profiling and engineering hold a potential for human transformation both good and bad. But who will be checking the morality of these scientific advances?

Experimental Woman Director

A young woman, wearing a bright yellow jacket, sits on the steps in front of the Kelvingrove Art Gallery and Museum in Glasgow.

Premature

Director: Kevin Walls

Year: 2026

When meticulous, career-obsessed Cameron (James Rottger) discovers his aimless flatmate Eilidh (Elle Watson) is pregnant after their drunken one-night stand, both assume there is an obvious way out. But when Eilidh finds she cannot go through with the termination, the pair are forced into an awkward, absurd and increasingly intimate attempt at preparing for parenthood. As they stumble into something that looks suspiciously like a relationship, they begin to question the lives they thought they wanted and what they really mean to each other.

Comedy Drama Romance Scottish

A couple lean on each other with their backs to the camera.

When We Stop Spinning

Director: Marcus Dyer