United 93

Director: Paul Greengrass

Year: 2002

On 30th January 1972, British soldiers shot dead 13 unarmed civilians taking part in a civil rights march in Derry, Northern Ireland. The event, Bloody Sunday, was a major turning point in the history of the modern Irish troubles, catapulting a low intensity conflict into a civil war, driving many young men into the ranks of the IRA and fuelling a 25 year cycle of violence. This film tells the story of Bloody Sunday in just one day from dawn to dusk, from the arrival of thousands of troops on the streets of the besieged city to the violent collision between soldiers from the crack Paratroop Regiment and the crowds of civilian demonstrators. The film follows the march organisers and the police, British soldiers, as well as civilians from both sides of the religious sectarian divide. It focuses in particular on the stories of two young men: Ivan Cooper, an idealistic Civil Rights leader, a Protestant in a Catholic camp, who shares Martin Luther King's dream of peaceful change; and Gerry Donaghy, a 17 year old Catholic rebel, who yearns to settle down and marry his Protestant girlfriend, but who is drawn into violent confrontation with the soldiers.

Director: Paul Greengrass

Year: 1997

Richard, a struggling artist in the midst of a breakdown that has left his career and his love life in tatters, attempts an ill-conceived insurance fraud and gets caught. He is sentenced to 120 hours of community service in lieu of jail. His assignment: to act as a 'caregiver' for Jane, a young woman confined to a wheelchair due to a rare degener-ative neurological disorder. Jane turns out to be anything but a timid and helpless paraplegic. Sheepish Richard finds his charge sarcastic, profane and mischievous, and as uninhibited as he is repressed. At first, Richard is convinced that he's the wrong man for the job, but he and Jane soon settle into a truce that blossoms into a deep and mutually supportive friendship. Then Jane shocks Richard by announcing that it is his responsibility to help her achieve her fondest, most impossible wish: to experience, along with the rest of humanity, the joy of sexual intimacy ... a request that forces Richard into a tailspin of conflicting feelings and wild adventures.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.