Where Have All The Cowboys Gone?
Synopsis
'I think it's very European in the way it was shot, but quite American in the way it deals with narrative,' explains writer/producer/director Hugh Farrell. 'It is a kind of hybrid - a sort of haggis-noir western. I also think people will find it very funny and respond to the talent of first-time actress Sam Tonks.'
Devised, rehearsed and shot in a breathtaking eight weeks, the project brought together a dozen first-time actors to work on fleshing out a script, developing their characters and testing the storyline. Shot in 16 days, it made the low budget its aesthetic, seeking creative solutions to financial obstacles.
'People have embraced the Dogme school of film-makers as a breath of fresh air and a different response to the sometimes overwhelming industrial process of making films,' says Farrell. "We've found an energy and immediacy in that kind of highly condensed, pressurised way of working that we chose.'
Details
- Year
- 2001
- Type of project
- Features
- Running time
- 90 mins
- Format
- Digi Beta
- Director
-
Hugh Farrell
- Producer
- Hugh Farrell
- Editor
- Herbie Wells
- Screenwriter
- Hugh Farrell
- Director of Photography
- Shug Dundee, Lorna Simpson, Simon May
- Composer
- Karl Mariner
- Principal cast
- Sam Tonks, Kris Thompson, Lesley Connoly, Jeremy Beard, Russel Jones
Categories
Production Status
Production Company
Pilton Pictures
Contact: Hugh Farrell30 Ferry Road Avenue
Edinburgh EH4 4BA
UK
T 0131 343 1151
office@piltonvideo.freeserve.co.uk
Sales Company
Pilton Pictures
Contact: Hugh Farrell30 Ferry Road Avenue
Edinburgh EH4 4BA
UK
T 0131 343 1151
office@piltonvideo.freeserve.co.uk
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Diary of a Bandit (Diario di un brigante)
Director: Henry Worsley
Year: 2027
Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.
Your Sweet Home
Director: Nataša Cordeaux
Year: 2026
Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.
Split Ends
Director: Grace Cassidy, Laura Hafes
Year: 2025
Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026