White Nanny Black Child

Director: Andy Mundy-Castle

Year: 2025

Photographer and activist Misan Harriman, documents the global impact of protest movements, capturing the resilience of grassroots activists fighting for equality, civil rights, and social justice in the year he was nominated for an Oscar for his short film THE AFTER. A documentary capturing photographer and activist Misan Harriman’s journey documenting global protest movements that drive social change. Following Harriman as he highlights the resilience of grassroots activists fighting for equality, civil rights, and social justice, the film showcases the intersectionality of these movements and their collective power. With historical context, interviews with activists, and explorations of digital activism, the documentary reveals how Harriman's lens brings the world's activism to light, inspiring viewers to recognize their own power in shaping a more just society. Official Selection SXSW London Film Festival 2025 Official Selection DOC NYC 2025

Director: Andy Mundy-Castle

Year: 2012

3 Continents, 4 barbers, 1 story... The Fade is an intimate portrait of four barbers across the world over a week in their lives. The observational documentary reveals a portrait of their lives and shines a light on the profession barbering. Set in Ghana,Jamaica, USA and the UK the film interweaves their stories and examines the polarized opposites of the locations. Creating an international dialog of the colorful lives of four men who do they same thing in different time zones, with very different realities.

Director: Lilyana Torres, Carlos Morales

Year: 2027

When filmmaker Lilyana Torres learns that her grandfather hired hitmen to nearly kill her father, she sets out to confront him in Tamaulipas, Mexico, and force an apology. The attack left her father with cracked ribs, a broken nose, and loose teeth. Its architect was his own father. Like much of Lilyana’s family history, nobody spoke of it again. So she begins planning his murder. In darkly comic fictional reenactments, Lilyana trains for revenge with the help of a retired detective. Some methods are efficient, others grotesque, all adapted to an ageing man. Against these fantasies, family home videos reveal a more unsettling contradiction: birthday parties, tenderness, and a grandfather who once appeared devoted to his son and granddaughter. How could a parent put their own child’s life at risk? Before Lilyana reaches him, her grandfather dies peacefully in bed, taking every explanation with him. Determined to complete the film, she casts an actor named Perfecto to play him and kills him on screen, again and again. But the performance exposes the question she cannot escape: what does revenge actually resolve? Lilyana confronts the possibility that the violence she wants to destroy may already live inside her.