Zagreus

Director: Charlie Cattrall

Year: 2024

After a terrorist bombing, junior intelligence officer Helena Brennan is tasked with gathering information about a radical Muslim cleric - the notorious and elusive al Sharif. On travelling to Pakistan, Helena becomes involved in a botched mission to capture one of al Sharif’s key lieutenants. One of her colleagues is murdered, and the other is kidnapped and later executed, as Helena’s world disintegrates around her. She must hunt down the perpetrators to find redemption. That’s the story. But the film doesn’t show you how the story unfolds. Instead, you encounter its characters alone in a black void, staring into the camera’s lens. Their faces are the film’s landscapes. They report on the lives they are forced to live and the harrowing world that we’ve imagined for them. THE VIEW FROM ABOVE is a film that asks spectators to confront the brutal, misogynist and white-supremacist ideologies of the stories we consume as entertainment. It seeks to reveal the role that so many contemporary thrillers force audiences to play and invites them to regret learning their lines.

Director: Charlie Cattrall

Year: 2013

Titus is a modern-day story of a displaced African-American jazz musician trying to come to terms with his troubled past.

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026