When you change where you are do you change who you are? Set in modern day Tehran, and the UK, I Am Nasrine follows the paths of Nasrine and Ali, sister and brother in a comfortable, middle class Iranian home. When Nasrine has a run-in with the police, the punishment is more than she bargained for. Nasrine and Ali set out for the UK, torn about leaving behind their home and all that they know, embarking on a reluctant exile. Still, for Nasrine, there is undeniable excitement about the prospect of starting a new life in the West.
Nasrine is quick to settle into her new life, making friends, forming bonds, including Nichole from the gypsy/travelers community. All the while her brother Ali struggles with the realities of life in the UK and his awakening sexuality. Then comes 9/11. Things spiral further out of control when an unimaginable tragedy occurs. Nasrine must discover incredible courage within her to accept what fate has dealt her; discovering that the end of her journey is really just the beginning.
Can hope, simple untainted hope, overcome the darkest of tragedies? I Am Nasrine explores these questions and more, and offers answers that are sure to surprise.
Mali is a six year old girl who wants nothing more than to please her mum. Single mum Cath, however, barely notices Mali in her struggle to pay the bills and keep it together and when a debt collector comes knocking at the door, the day takes a tragic turn.
Prodigy detective Mitsuko Unagi is on the hunt for a notorious serial killer known only as "Eleven". 10 years earlier, on February 29th 2006, a series of murders began, involving 11 randomly selected victims killed simultaneously in various parts of Tokyo. The killings continue over the next decade, leaving the police with no evidence, no witnesses, and the killer always one step ahead. But now something has changed, and the killer has changed his pattern, giving Detective Unagi the one chance to finally get closer to solving the mystery of the Random 11
When a young woman is cruelly and indiscriminately attacked by a notorious gang led by the violent Trey, her little 16 year old sister Kayla wants revenge and will stop at nothing to get it, even if it means joining a rival girl gang led by the volatile and damaged man-hating Danielle.
SOUTHBANK UNSEEN will blow our minds and get us thinking through four, visually dynamic and aurally arresting, documentary dramas that delve into the unseen.
These short documentary dramas give us an alternative view of London’s South Bank from the eyes and ears of four extraordinarily gifted individuals.
Tandem is a dark tale of love in which the two central characters find their relationship thrown into turmoil by an unexpected discovery of truths. While the outgoing ‘Mr. Then’ is forced to lie low, his less confident, insecure lover ‘Mr. Now’ tries to make sense of a dark reality.
Richard Jobson’s new film surrounds 15 testimonies from British
servicemen and women who were involved in the Iraq conflict in Basra. They have a ghostly presence as they talk about their experiences in a near documentary style, after each testimony the camera glides into the lives that might have been and the people they left behind.
Jobson says ‘Like many people I was angered by the Iraq war and like most people did nothing about it. This is my response to that apathy. In the film although it appears that the speakers are the ghostly presence, it is in fact we the audience who are the Somnambulists, it is we who were sleepwalking in the build-up to the war and its tragic aftermath.’
The story was heavily influenced by the work of photographer Joanna Kane whose exhibition 'The Somnambulists' at the Scottish National Portrait Gallery left Jobson deeply impressed by its haunting vision of the space between life and death.
The hot-headed young D'Artagnan along with three former legendary but now down on their luck Musketeers must unite and defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war.
Doctor Williams, a psychiatrist, is called to a prison to examine Voorman – an inmate with a peculiar affliction – he believes he is a god. The problem is, though, he’s managed to convince the rest of the prison population that he is indeed telling the truth.
