In patriarchal Nepal, Belmaya, at 21, has given up on finding happiness. An uneducated Dalit, with an oppressive husband and baby daughter, she yearns for freedom. Rewind to 2006, when she was a rebellious teenager living in a girls’ home. Grabbing the chance to learn photography, she wanted to change her world. But the home locked away her camera.
I Am Belmaya follows her transformational journey from 2014 as she once again picks up the camera, this time to train as a documentary filmmaker. But are her husband and community ready for this? Struggling against violent opposition, Belmaya makes a personal film, Educate Our Daughters, which wins hearts and awards, taking her to places she never dreamed she would go.
Shot in one single take, the film follows a 13 year old Bangla girl from East London escaping a forced marriage with the help of her girlfriend. Part of the Arri Trinity challenge.
A snapshot of an edgeland, Tilbury in Essex, during the months leading to the Brexit deadline in March 2019. The film moves back and forth between the individual, human-scale portraits of migration and the representation of the town’s economic activity.
Built from conversations with trans feminine people around the world, particularly the UK, Indonesia and Canada, the film documents We Dig, a threatre performance which centres around the actual excavation of a giant hole - a literal representation of a queer community needing to bury itself for protection.
A double portrait of two women whose lives have been shaped by a shared passion for homemaking and hospitality. Over the course of the film we see Rosemary and Nancy in their cottage in Yorkshire, where they have settled in retirement. We hear them speak about the project they embarked on together, which saw them shelter and re-house over five hundred families in Massachusetts over a thirty year period, as well as providing a personal and historical context to their story.
Based on the book 'Lost Lives', which records every single death and its circumstances since the beginning of the modern conflict known as the Troubles in Northern Ireland, this heartfelt documentary is a cinematic homage to those, from all sides, who lost their lives. Powerfully narrated by famous Irish and Northern Irish actors, including Kenneth Branagh, Brendan Gleeson, Roma Downey, Liam Neeson, Bríd Brennan and Stephen Rea, the film weaves archive footage with recordings of family and friends responding to the devastating news of the death of loved ones. A score performed by the Ulster Orchestra and striking cinematography complete this elegiac piece. The last entry in the book is Lyra McKee, a journalist who was fatally shot in 2019 – an essential reminder that peace can be a fragile process.
Official Selection BFI London Film Festival 2019 - Love Strand - World premiere
Beginning in Vienna where the filmmaker meets her father, David, whom she hasn’t seen since she was two. Through a mixture of onscreen text, sit down interviews and archival footage, David’s early life as a teenage activist in Northern Ireland is revealed. The film then travels to Belfast and segues into an impossible reconstruction of David’s early years. In and attempt to better know him, Garnett uses previously recorded audio interviews to skillfully craft a lip-synced, cross-gender performance where she impersonates the his youthful presence and casts a transgender actress in the role of his girlfriend. The film cycles through various camera modes – narrative vignettes on RED alongside handheld camcorder footage of contemporary Belfast street life mixed with these verbatim re-enactments – to create a fragmented account of a teenager struggling to find an identity in a rapidly deteriorating society, and the parallel struggle of a filmmaker to connect with her estranged father. The layers of texture in this film mirror the fractured lens of history, and point to the impossibility of filmmaking as a container for 'Truth'. In TROUBLE, cinema is a means of rebuilding family ties of highlighting the complexities of representation and the construction of identity.
Official Selection BFI London Film Festival 2019 - Experimenta Strand - World premiere
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music. Developed from Rubika Shah's short film WHITE RIOT: LONDON (Sundance 2017, Berlin 2017).
Official Selection BFI London Film Festival 2019 - Documentary Competition - World premiere
Winner Grierson Award for Best Documentary, BFI London Film Festival 2019
Official Selection Berlin International Film Festival 2020 - Generation 14plus - International premiere
A forensic documentary telling the story of Operation Ajax, the CIA/MI6 staged coup in 1953 in Iran that overthrew Prime Minister Mossadegh.
Official Selection Telluride Film Festival 2019 - World premiere
Official Selection BFI London Film Festival 2019 - Documentary Competition - International premiere
Under Paris' glittering Eiffel Tower, illegal Senegalese migrants sell miniature souvenirs of the monument to support their families back home. Far from their loved ones and hounded by the police, each day is a struggle through darkness in the City of Lights.
Based on a true story, a seven year old boy struggles to make sense of words on the page. But when Mike is diagnosed with dyslexia and the teachers continue to fail him, his mother takes matters into her own hands to help her son fulfil his true potential.
No road. No voice. No future. Deep in the jungle a road is quietly destroying a protected rainforest, causing conflict and fear. Yet for some indigenous communities, desperate for change, it brings the promise of a better life… but at what cost?
