Sex, Drugs, Music. That's life.
This film is a mixture of genres; thriller, horror, comedy, romance, drama, musical, surreal, fantasy, sci-fi, noir and everything else.
The film is essentially about reality, the perception of reality and repression. It's about a young man, John, trying to stave off the feelings of belonging and notions of madness. This narrative runs through the heart of the film whilst others intertwine with it. A serial killer, a futuristic agent, a psychologist, a lover, a friend and a transvestite all add to the confusion and mayhem that create this onslaught on the senses. Is his girlfriend real? Is his best friend real? What is real? And as John finds out:'You can't keep running!'
The habitual dreamer can't seem to discipher his dreams. Is the mysterious transvestite the key? All this and more awaits the viewer in this original and confused film.
But the final revelation might be too much for some. Or does it all fit? It's up to you.
Or is it?
A masterclass of minimalist expressionism by a class master. Dave Heron provides 33 classic expressions as a unique guide for all budding actors, two faced gits and prospective brazen liars.
'Dave taught me everything I know about acting' - L. Olivier.
Zombies. Shambling scourge of the modern world? Or just a little misunderstood? If in doubt, check out Guy's Guide To Zombies, the definitive guide to living with the dead! Guy's Guide is a parody of 1950s public safety films which quietly pokes fun at the current international climate of fear.
A Murdered Hillbilly returns from the dead to seek revenge on the town that put him to death in 1958. The small Town of Dackson is about to learn that the legend of Hellbilly, is true
High Stakes is Zulu meets Dusk Till Dawn: a fast paced, plot twisting, thrilling and grittily realistic vampire film.
A teenaged girl called Lydia finds a blood covered young boy on the street, and takes him home for help, where the boy viciously kills Lydia's father. Traumatised she arrives at the nearby church, where she is taken inside by the vicar, Reverend Clegg.
In an illicit gambling den, Guy, a low rent gambler gets the opportunity of his life to play a high rolling card player from London. As the game goes Guy's way, the card player and his entourage show their true colours - they are a nomadic pack of vampires, preying on society's low lifes. Guy manages to escape with his winnings, and seeks sanctuary in the same church, where he reasons the vampires will not be able to follow.
Reverend Clegg is attacked and killed by the vampire clan on the threshold of the church. The people inside the church are now under siege. The stakes are raised - if Guy is not given up, the church will be burnt to the ground by the vampire clan. Their problems multiply as the Reverend is reborn as a vampire, bezerk on the blood lust. Sanctuary isn't as safe as it used to be.
Davis, a down on his luck filmmaker, after having no luck getting backing with his story, spends his savings on his own camera only to find that it is haunted by the spirit of a dead filmmaker which will help him make his movie, at a price.
Did your mother ever tell you not to talk to strangers? John’s mother did. It’s just that over the years, as he became an adult, he forgot -
John walks into his garage and gets into his car. His ordinary life, however, is about to get extraordinary and - end. One of Lucifer’s minions, the Collector, is waiting for him in the car. The Collector shows him scenes from his life. John sees himself rape and murder his daughter and then kill his wife. He then sees the fateful meeting with Lucifer, before finally being ‘collected’. But maybe ‘Old Nick’ has one last trick to play!
A unique collaboration between acclaimed young British writer and director Greg Hall and critically renowned composer and musician Steve Martland. Kapital is a gothic and uncompromising look at the darker crevasses of human nature and society. Following a cross section of characters lives, interweaved in a mosaic form over the turbulent course of one day, as they all deal with the demons and angels that haunt their harsh realities. An apocalyptic vision of modern day existence.
Blissfully happy in her new marriage, Emma gives up a successful career on Wall Street to return to England and give her six-year-old son a new life. After moving into an impressive mansion outside London, Emma finds out that she is pregnant again. Everything seems to be perfect. But soon, Emma begins feeling uneasy. When left alone, the house seems to be speaking to her in strange voices. Emma’s dream of a perfect life starts turning into a nightmare. Despite her pleas for help, her husband grows more and more distant. Alarmed by a series of strange and terrifying happenings, Emma is convinced that the key to unlocking Parkside’s secret lies deep in the woods. She starts to act less and less rationally, and the once ‘in control’ Emma turns into a paranoid shadow of her former self. She has to discover that the truth of Parkside Lodge rests not in its past or future, but in the terrifying present.
Simon Eaves' experimental and unique animated style depicts the surreal world of a man who wishes to escape only to find that he is less free when he does. Slavestakingly created using individual hand treated frames. Simon Eaves creates a surreal and beautiful world.
