The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.
In a verdant mountainous region of Georgia, tradition and modernity intertwine. Carrying on the traditions of their ancestors, the men in the film race on horseback down mountains and across wide, expansive valleys in a performance of masculinity. The filmmaker states, “As the film progresses it becomes a film about distance: the twenty meter distance the Tushetian women have to observe from their shrines, the distance between me and my protagonists, between languages and translation.” Medoidze is never seen in front of the camera, made visible only through her voice. Yet even with this distance between her and her subjects the film, as shot from her perspective, makes for a truly immersive piece of observational filmmaking.
Attempting to make some extra money a young woman decides to rent out some of the spare rooms of her parents' house as a bed and breakfast, unsuspecting that you really need to be very careful as to whom you invite into your home. ROSEMARY'S BABY meets SCANNERS and KILL LIST.
Alison is trapped in a life of crime but looking to escape. When she meets Sam, a damaged man with a troubled past, he opens Alison’s eyes to the fact that life can be a beautiful thing if you meet it halfway.
They hit the road in search of the child she abandoned with her sister Karen. Plagued by regret Alison tries to reconnect with her child. Her demons come back to haunt her, as pimp Max tracks them down. Alison realises she must confront Max to protect her family from the sins of her past.
In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, 'A Saucerful of Secrets', helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers. Photographer, filmmaker and designer Anton Corbijn fills his Hipgnosis history with case studies of album art from Pink Floyd’s 'Dark Side of the Moon', considered by many to be the greatest album art of all time, to Led Zeppelin’s mind-altering 'Houses of the Holy'. Fuelled by Powell's vivid storytelling, Corbijn captures the energy of a team making iconoclastic art amidst one of the most hedonistic eras in music history.
Official Selection Telluride Film Festival 2022 - World premiere
Official Selection Sundance Film Festival 2023
An exploration of dance as a way to ease coming off anti-depressants. The film is a journey of sorts from isolation to connection, and an artistic montage of city life, revolving around the theme of dance.
BAFTA Film Awards 2023 - Nomination - Best British Short Film
A road movie in search of the work of renowned Sri Lankan architect Geoffrey Bawa. The film follows a protagonist scouring the island for the ‘lost’ garden of Lunuganga. Finding the treasure might be the goal, yet her search is the catalyst for encounters with a series of characters and rarely visited buildings that reveal the story of Bawa’s life and work.
An animation series that draws attention to the collective amnesia of the 1922 Great Fire of Smyrna/Izmir by examining the urban park, Fuar, built on top of its ruins. By layering two different printmaking techniques, drypoint etching and risograph, the project seeks to explore and highlight the contrast between eras and to inform them of each other.
Official Selection Edinburgh International Film Festival 2023
A famous old floating bookshop moored in King's Cross, Word On The Water, finds itself in desperate need of repair. Staffed by eccentric boaters such as Captain James, many of its crew and even patrons find themselves on the edge of society. Having previously survived numerous threats to their existence, their next issue isn't against legal threats or noise complaints, but entropy. After all, the Dutch Barge that is the bookbarge is around 100 years old and they have neglected vital maintenance.
The odds are stacked up against them: the boat has no working engine, they need to travel 30 miles to the repair shop and nobody knows the condition of the hull. To make matters worse their are planned lock closures and they keep on delaying their set-off date. Their captain is a French man, Stephen aka Noy (No-Eye), who has been tasked with masterminding the entire project single-handedly.
His solutions are unorthodox but they make headway. However, their disorganisation leads to issues. Over 6 months, its three owners find themselves pushed to the limits of their endurance. In the process they discover more about construction and friendship than they ever could have expected.
A film about the handful of streets around the Cowgate, Edinburgh, which have long housed a proud Irish diaspora. A film about folk music and its power to connect people.
Musician Aidan O’Rourke, from the celebrated folk trio Lau, lives in the heart of Edinburgh’s Old Town. During lockdown, Aidan got to know three of his octogenarian neighbours, all called Margaret, and listened to their stories. Aidan brings together a group of sensational Irish and Scottish folk musicians and explores through music and storytelling what home and belonging mean.
Featuring a stunning original soundtrack by O’Rourke and live performances by Liam Ó Maonlai, Brìghde Chaimbeul, Comac Begley, Róisín Chambers and Aoife Ní Bhriain.
Aidan O’Rourke is a fiddler and composer. Raised in Argyll, his roots are Scottish and Irish but his music roams the edges of those traditions.
Becky Manson is a filmmaker from Orkney. Interested in routine, repetition, and ritual, she tells small stories that speak to universal themes.
Mark Cousins has directed twenty feature films. His themes are cinema, cities, recovery, walking and looking. Among many he has won the Prix Italia, the Stanley Kubrick award, the EFA's Innovation award, a Peabody.
Thriller writer Ben, struggling for inspiration, retreats to an isolated rural cabin to start on his latest novel and to escape the growing tension with his boyfriend Jamie. Working late into the night, he wakes to find a wounded man in the cabin, claiming to be a hunter whose car had broken down nearby. Intrigued and attracted to the mysterious and handsome intruder, Ben decides to secretly use him as inspiration as the antagonist for his new book: a savage murder believed to have taken place in the very cabin he has rented. As the man begins to help him enact increasingly dangerous and detailed scenarios for the story’s captive protagonist, Ben becomes aroused by the prospects, but finds himself rebuffed by a homophobic slur. Searching the man’s car, he uncovers stolen property belonging to several other young men hinting he may be a serial killer, a perfect twist for Ben’s novel. Discovering his own car sabotaged, and unable to escape, Ben enters a lethal game of cat and mouse. But it’s only when the fate of Ben’s boyfriend Jamie is revealed that Ben’s dark, erotic, fantasy becomes a stark, inescapable, reality.
