Across the Waters is a poetic, reflective journey between two cultures. Fifty years ago, a young girl arrived on the island of Lewis from a village in Pakistan. Now, her granddaughter is going to leave the island. Three generations of Pakistani women and a Gaelic islander give a personal perspective on the island's history, and the sense of belonging and exile that has defined their existence.
Finding some hand-made film magazines at home, Robin Mitchell learns about a film that his father starred in and produced in 1943. His search leads him to the film and to its extraordinary director Robert Edwards. At an emotional screening, he eventually reunites the filmmakers after 60 years.
Billy Hull was a prison officer in The Maze/Long Kesh. Against prison policy Billy collected items from various individuals, incidents and occurrences. On his retirement Billy organised a display of the objects. The public has never seen this collection.
Cabinet is a meditation on the fetish objects of the Unabomber's story: wilderness, typewriting, cabin, and bomb. The film includes DV and Super 8 footage shot in Montana, archive, computer animation and S16mm live action, a Shaker song, an Edison cylinder recording, and bird song recordings from Cornell University.
Part document of the past, part imagination of the future, Crude Progress tells the story of the rise and fall of the oil industry in the Orkney Islands.
Set to the music of James MacMillan the film mimics a folk tale, warning against the seduction of capitalism and the illusion of progress.
Night vs. light, music vs. motion, figuration vs. abstraction. Flowing, twisted tubes of light collide with dark pools of shadow in this nocturnal prowl through a neon cityscape. Created entirely from digital photographs.
This documentary tells the story of the protracted war in Chechnya from the perspective of Soviet and current Russian dissidents. Comparisons are drawn between the Chechen invasion and that of Czechoslovakia in 1968 and how the Chechen invasion helped to bring the ruthless KGB to absolute power in Russia today.
Silent Voices is based on interviews with over 100 people affected by domestic violence in the UK which have been translated into seven stories in the form of seven interwoven 'Talking Heads'-style monologues. Each character tells their extraordinary story of their relationships and the resultant impact on their lives and those around them.
This documentary presents the architectural concept of 'Cargo Fleet', which juxtaposes materials from the shipbuilding yards of the North East of England into the urban landscape of Islington. The house is revealed through the reflections of a group of people - actors, dancers, musicians, and artists. Their experience of the place unfolds like a tapestry to which the muses themselves then add their voice. The director plays with contrasting forms and styles, weaving music and language together. She reveals the interior and exterior in shifts of mood and ambience, presenting the viewer with an aural and visual feast.
With poetry by Samuel Taylor Coleridge, William Shakespeare, San Juan de la Cruz and Alexander Pope. Music by Andrew Peggie and Raiomond Mirza.
The Rest is Silence follows the journey of an unclaimed body on its progress from discovery to interment. Its focus is on those who guide the corpse through the necessary procedures. For the person who has become this corpse, it is a poignant progression towards a state of silence.
When Sid the Scarecrow is faced with his own gruesome demise, he realises he must act fast. With the help of a grumpy, old owl named Albert, Sid embarks on a quest to find a legendary scarecrow named Slash. Will Slash be able to save Sid from his terrible fate?
