Bastard Bunny has been 'away' for a few years. Now he's back and he ain't happy. His local has been gentrified and turned into a gastro pub. Bastard don't do gastro.
Jerusalem, 1st century AD. Jewish carpenter Shimon is enslaved to make crosses for the Roman army which his fellow Jews will be crucified on. When an injured young rebel seeks a hiding place in his workshop, Shimon's conscience and loyalties are called into question, as he must decide whether to protect his family and accept the hold that the Romans have over him, or stand-up and try to change his situation.
Keith, an ordinary gaming geek who works the graveyard shift at the only all-night convenience shop in the city, has grown used to the occasional disruption to the monotony when he exterminates zombies that wander nightly into the shop.
One night Keith is distracted by Suzi, and must convince her that the walking undead really do inhabit the city after she witnesses a zombie killing.
They are thrown together in an adventure riddled with strange denizens of the night as they cross the infested city. But they are followed by an ancient priest-magician, mistakenly raised as a zombie by a bumbling necromancer. Suzi becomes enchanted with the Dark Lord's Gothic looks and is drawn into a sinister enchantment as he seeks to unravel the interwoven spells that have enslaved him to undead existence.
Despite his jealousy, Keith vows to protect Suzi with his life. Suzi is torn between Keith's devotion and her unnatural attraction to the Dark Lord. A final showdown between the Dark Lord and Keith will determine the fate of Suzi, the city, and perhaps even the world.
Abigail and Jack have been together for a couple of years, but Jack's behaviour is becoming more and more sinister. He takes a lover, Sian, and treats both women with contempt. Sian and Abigail find out about each other, and decide to turn the tables on Jack.
The poet Hafez, also known as the ‘Teller of Secrets’, used the language of human love and the metaphors of wine and drunkenness to describe his desire for the Divine and intoxication with the mysteries of the Universe.
The media usually present a narrow view of Iran. The film gives some insight into the depth and sophistication of Iranian [Persian] culture.
The landscapes and characters in the film are entirely constructed of Persian calligraphy.
Take one glamorous and ageing dancer. Trap her in the real world then smash into her private reality. Control her movement, contain her emotion. Well you can try but she has already beaten you to it. With hypersound and supersmart awareness submit to this bizarre journey of entrapment.
