Projects matching: Duncan Campbell

Synopsis

A caper film about the unlikely gang of retirees that pulled off the daring Hatton Garden jewellery heist of 2015.
Developed from Mark Seal's Vanity Fair piece 'The Over the Hill Mob', the film tells the story of the epic multi-million-pound robbery initially believed to be undertaken by a gang of super-thieves. The actual perpetrators were a group of tough-guy retired criminals in their late 60s and 70s — with all kinds of physical maladies — who were mostly unoccupied and bored, until they consulted a bunch of how-to books and figured out a way to pull off one last hurrah over a long weekend in April 2015.
Entering the Hatton Garden Safe Deposit Company property via a lift shaft, they drilled through the 50cm thick vault walls with heavy machinery and escaped with a haul estimated to be worth around £200 million.

Synopsis

Originating with research undertaken at the Irish Film Institute Irish Film Archive, artist Duncan Campbell’s piece takes as a starting point a 1960s anthropological film study of rural Kerry to investigate and reframe contemporary Ireland.
In this work Campbell looks at some of the assumptions, ethics and misconceptions that frame the relationship between filmmakers and subjects. The piece is underpinned by extensive research into archival and documentary material, including Paul Hockings and Mark McCarty’s 1968 documentary film, 'The Village', alongside influential anthropological studies. As with much of Campbell’s work, this piece questions the validity of documentary form as historical representation, blurring fact and fiction, recording and interpretation.
Official Selection BFI London Film Festival 2017 - Experimenta Strand

Synopsis

Reflections on the life, death and value of objects inspired by Chris Marker and Alain Resnais' 1953 essay film 'Les Statues Meurent Aussi.' ‘It for others’ includes a performance made in collaboration with Michael Clark Company that seeks to illustrate the basic principle of commodities and their exchange.