Hello You is an autopsy of your reflection. This mirror has two sides: one that observes, and another that follows. Exploring stories of altered perception, from phantom limbs to the feeling of being a stranger in your own body, the experience stretches the split-second act of self-recognition into something you can watch unfold. Here you are asked not to look at yourself, but at the lenses through which you look.
Lost Souls, Swimming in a Fish Bowl is a silent documentary about the invisible territories of depression, isolation, memory, and the fragile act of continuing to live.
There are people who move through the world every day while feeling as though they exist behind glass. They work, walk, eat, sleep, smile, and disappear into crowds—yet remain suspended within an interior world that no one else can enter. The film observes these fractured states without explanation, diagnosis, or spoken testimony.
Instead, silence becomes the language of the film.
Through faces, bodies, empty rooms, urban landscapes, found footage, archival fragments, photographs, gestures, objects, and moments of stillness, Lost Souls, Swimming in a Fish Bowl enters the psychological geography of people who feel trapped inside themselves. The fish bowl becomes both metaphor and physical space: transparent enough to see the world outside, yet impossible to escape.
What if you went on a holiday and the apocalypse happened?
GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days.
We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.
A woman attempts to address the self that has shaped her life until now - the “Me” formed through trauma, habit, and survival.
Conceived in relation to the cinema of Ingmar Bergman and Michael Haneke, the film locates meaning in the actor’s presence and in the organisation of cinematic form, rather than in dialogue or narrative guidance.
This encounter is not a dialogue but a struggle: the effort to speak to a governing inner presence in order to loosen its hold. As the film unfolds, the confrontation moves deeper, toward a dark, underground interior where escape seems impossible. In the final movement, a rupture appears - a hole, a glimpse of sky, hands reaching upward from below. Whether she gets out remains uncertain. What matters is that the exit has been found.
A chance visit at a historic murder/ suicide location in Manhattan inexplicably draws a film producer into the crime and inner world of the murderer, American visionary poet and sun mystic Harry Crosby. As her research spirals into obsession, her grip on reality frays, culminating in a harrowing burnout- until she discovers a shocking personal link to the killer.
An original and emotional film dealing with the surreal nature of art and trauma.
Juliet awakens from a fever dream. How did we get here? The lines between hallucination and memory blur as cinema and dance collide in a kaleidoscopic journey of belonging, defiance, and self-discovery. A vivid retelling of Shakespeare’s Romeo and Juliet brought to life by Scottish Ballet.
Official Selection Edinburgh International Film Festival 2026 - World Premiere
After a middle-aged father falls mysteriously into a coma that transports him to an idealised version of his past, his daughter must do all things necessary to rescue him from an eternal trap.
Delving into themes of solitude, memory, and displacement, the film is crafted through a poetic and non-linear narrative. Set between imagined geographies, it speaks a cinematic language that transcends borders.
An Adaptation of Norse Mythology, the film speaks of the epic from an Indian POV.
The Canaries’ Experience Genre: Mixed Reality / Magical Realism / Emotional Drama Format: Immersive VR Film Synopsis: In a world where silence can be fatal, The Canaries’ Experience invites viewers into a deeply emotional and symbolic journey through the mind of Will, a young man silently battling despair. Guided by a mystical canary—an ancient symbol of safety in coal mines—viewers traverse a surreal landscape that blends memory, emotion, and myth. As Will’s inner world unravels, the canary’s song becomes a lifeline—its presence a sign of hope, its silence a chilling warning. Through immersive soundscapes, binaural audio, and haptic feedback, the audience experiences Will’s emotional highs and lows: from the suffocating silence of isolation to the transcendent transformation of the God Canary, a divine guide born from pain and resilience. Blending magical realism with therapeutic design, this VR experience is not just a story—it’s a meditation on vulnerability, connection, and the power of being heard. In the end, the canaries rise—not just as symbols of survival, but as beacons of collective healing.
A non-fiction adaptation of the fairy tale book 'The Little Mermaid' (Hans Christian Andersen, 1837).
Fed up with the polluted environment Little Mermaid is forced to live in, she decides to leave home for a better place, embarking on an adventure brimming with new findings.
This is the third and final film of Liliana Colombo's 'Climate Trilogy' which started with ICEMELT PARK (2020) and EARTH THE NEW MARS (2022).
A woman kills her fears and past to be reborn as her true self.
"I am a coward. I look in the mirror and I see the person who is afraid. I look her in the eyes, I say nothing. Just look. She says nothing back. Her eyes have the colour of fear. My fear has almost consumed her eyes. I feel all rotten with a big hole inside of me and this hole is filled to the top with old heavy fears. They are soaking there."
A tribute to British-French-Polish avant-garde artists Franciszka Themerson and Stefan Themerson.
The director revisits the work of the Themersons, some 15 years after TRACES, her previous film about the couple - collecting new memories and featuring contributions from Michael Horowitz, Barbara Right, Nick Wadley.
