The film depicts one of the world's most notoriously private artist, Lucian Freud. At the core of the film is a sequence that sees Freud and dancer, Amy Hollingsworth in a dance of reminiscence; as though she is a memory of the remarkable characters that have passed through the studio.
The Conundrum being, Do I live life my way or do I live life their way? The start of a new dawn finds David Yohannes Reeves asking himself this very question. It is a situation that requires some thought.
Day to day life often thrusts us into precarious positions; that is confrontations with unpleasant despicable people, encountering behaviour that is selfish or deliberately harmful. No matter how seemingly inconsequential and trivial this negative act is, it should be responded too. Surely? But then again, probably not. Is it really worth exacerbating this awkward and possibly stressful situation further that it might escalate into full-blown violence? Again, probably not. But never to act to correct what is wrong? Is that right too? This is the conundrum. The film is the statement.
Be concerned; be concerned by a man wearing fucking antlers.
While cerebral palsy confines Alan Martin to a wheelchair and inhibits his speech, he refuses to limit himself. When he gains access to technology that enables him to find a voice, his life is transformed.
Emptiness is wistfully transformed in 99 Clerkenwekll road as the remnants of an empty shop provide the makings of an abstract light-film cum toy-solar-system.
Newly homeless, Gracie is about to commit suicide. But at the last moment, as she hovers over the railings of Waterloo Bridge, a young woman, Ellie, runs onto the bridge. She begs Gracie to help her escape from a pursuer who’s just yards behind. Shocked out of her dark purpose, Gracie helps Ellie, and they escape. Walking the empty streets, Gracie thinks the threat is past and a tentative relationship begins between the girls. But as she finds out more about Ellie, Gracie realises just how vulnerable they still are.
Real Insects, Real Drama, No CGI.
Witness first hand the fight for survival and the unlikely co-operation these beautiful beasts display. Shot in a scale model of a human city, the man-size creatures display incredible humanity in their dramatic stories within their alien caste system.
A poetic study in movement and sound, this film takes you on a journey to the twilight expanses of the Lappish wilderness to experience the ancient practice of reindeer herding or ‘husbandry’.
Rick Regan is a man out of his mind navigating a career as a Global Intelligence Commando in the year 2095. For his fix he kidnaps Maria Capek from the Bezel Corporation in return for time in the TV loop and Q-enabled beverages but nothing can prepare him for the truth yet to be revealed.
A trailer for a short experimental film by James Batley using animal totems and occult magick to exhibit and effect transformation 'as above, so below' augmented by an arresting ritualistic soundtrack.
The story of Bradley Manning, not as a Wikileaks ‘hacktivist’, but as a young American soldier simultaneously going through a crisis-of-conscious and a crisis-of-identity.
Animated in a rotoscoped pixel-art style and using dialogue from Bradley’s online conversations, the film explores issues of personal and political secrets, digital identity and alienation.
Madhabilata is a personal film, a journey to touch the wave of silence between me and my biological mother. An intricate embroidery of desire, suffering, denial and ‘looking back’. A painful hide 'n' seek game between me and my mother, between 'real' and 'unreal','self' and 'other' .
