3 Continents, 4 barbers, 1 story... The Fade is an intimate portrait of four barbers across the world over a week in their lives. The observational documentary reveals a portrait of their lives and shines a light on the profession barbering. Set in Ghana,Jamaica, USA and the UK the film interweaves their stories and examines the polarized opposites of the locations. Creating an international dialog of the colorful lives of four men who do they same thing in different time zones, with very different realities.
We are responsible for our dreams. This is the ultimate lesson of psychoanalysis – and fiction cinema. The makers of THE PERVERT'S GUIDE TO CINEMA return with THE PERVERT'S GUIDE IDEOLOGY. Philosopher and public intellectual Slavoj Zizek, and filmmaker Sophie Fiennes use their inventive interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams and collective beliefs that shape our political, social and cultural life.
Official Selection Toronto International Film Festival 2012 - World premiere
Inspired by the story of real-life identical twin dancers Michael and Jeremy Hodges, DOUBLE TAKE is a story of sibling rivalry and aging bodies. Part drama, part-documentary, the film plots the twins' journey to reconnect with each other after a lifetime apart.
Danielle is Eris; goddess of Strife in the Greek pantheon. She is a foster child, teen mother, victim of violence at home and from the state. This is a portrait of a life currently being lived. This film examines the nature of Strife in 21st century Britain.
Colin, a man beaten by failures, is forced to face his fears when they appear to him as variations of himself. In a tense, drug-fueled crisis of confidence, will he come through it a stronger man, or will his demons get the better of him?
Grandmother is a Crab borrows from an earlier digital video, made fifteen years ago, that itself used footage captured from a travel advertisement on television. Black and white, and mirror effects, take the image out of time, giving it both vividness and distance. The music is played in reverse. And the voice-over and under-titles are a poem that re-enters the magic world of a child on a beach.
Happy Returns
I bought a scrapbook collection of one woman’s Birthday cards from a house clearance shop a few years ago. She had only kept the cards from her children and grandchildren. It cost me £ 1.99.
The cards chronicle her life through changing design/slogans and written messages. I’ve bought things like this before and they just fill up my shelves.
A poetry film festival kick-started me into making a film using the scrapbook. I looked for a poem to base the cards around but couldn’t find anything suitable, so I tried to write my own.
A Posthumous document.
The silent personal archive of deceased filmmaker Terra Miller is laid out against all that remains of one of Miller’s final pieces, an acerbic audio recording of Isabella Berretta, founder of organisation The Fire Brigade. The youngest member of this organisation, Terra’s brother Jaric, whose movements appear to cross time and space in the archive, becomes the physical narrator to Berretta’s vocal presence, at times in synergy, at others in conflict with each other.
THE SEPARATION LINE exposes a British border shared by hundreds of civilians and members of the Armed Forces. Between 2007 and 2011 the small English market town of Wootton Bassett became the site for the British repatriation ceremonies and during an eighteen-month period between February 2010 and August 2011 all the repatriation ceremonies that passed through the town from 2010 to 2011, including the concluding ceremony in August 2011 were filmed. Filming alternative aspects and perspectives to that of documentaries and regular media coverage, the work shares an experience of the repatriations that has not been presented nationally or internationally.
