Project Detail

Living Room

Synopsis

My work constitutes a core interest in the languages of communication embedded in the social relationships and contexts of the everyday. In Living Room I collated video and sound over time from a single geographic location about the dissolution of family life.

Details

Year
2013
Type of project
Shorts
Running time
4 mins 5 secs
Format
Digital
Director
Matthew Humphreys
Producer
Matthew Humphreys
Editor
Matthew Humphreys
Sound
Matthew Humphreys

Production Status

Production Company

www.mjhumphreys.co.uk

E: dropmealine@hotmail.co.uk

Sales Company

www.mjhumphreys.co.uk

E: dropmealine@hotmail.co.uk

Page updates

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See also

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The Lost Reels The Lost Reels

Director: Matthew Humphreys

Year: 2003

Mervyn is deaf and recently has become blind. Mervyn perseveres through this. The lifecycle of a butterfly, memory and the simple act of making a cup of tea are entwined in this film. What is the sound of the sea to a man who has never heard?

Goodbye Goodbye

Director: Matthew Humphreys

Year: 2014

From 2010-2013 I recorded every departure from my parents home on an iPhone. form relationships with cameras and these in turn expose the relationships I have with my family. The routine that I followed reveals the dissolution of a family home.

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026