Living Room
Synopsis
Details
- Year
- 2013
- Type of project
- Shorts
- Running time
- 4 mins 5 secs
- Format
- Digital
- Director
-
Matthew Humphreys
- Producer
- Matthew Humphreys
- Editor
- Matthew Humphreys
- Sound
- Matthew Humphreys
Genre
Production Status
Production Company
www.mjhumphreys.co.uk
E: dropmealine@hotmail.co.ukSales Company
www.mjhumphreys.co.uk
E: dropmealine@hotmail.co.ukPage updates
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See also
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Mervyn is deaf and recently has become blind. Mervyn perseveres through this. The lifecycle of a butterfly, memory and the simple act of making a cup of tea are entwined in this film. What is the sound of the sea to a man who has never heard?
Goodbye
Director: Matthew Humphreys
Year: 2014
From 2010-2013 I recorded every departure from my parents home on an iPhone. form relationships with cameras and these in turn expose the relationships I have with my family. The routine that I followed reveals the dissolution of a family home.
I Want To Kill My Grandfather
Director: Lilyana Torres, Carlos Morales
Year: 2027
When filmmaker Lilyana Torres learns that her grandfather hired hitmen to nearly kill her father, she sets out to confront him in Tamaulipas, Mexico, and force an apology. The attack left her father with cracked ribs, a broken nose, and loose teeth. Its architect was his own father. Like much of Lilyana’s family history, nobody spoke of it again. So she begins planning his murder. In darkly comic fictional reenactments, Lilyana trains for revenge with the help of a retired detective. Some methods are efficient, others grotesque, all adapted to an ageing man. Against these fantasies, family home videos reveal a more unsettling contradiction: birthday parties, tenderness, and a grandfather who once appeared devoted to his son and granddaughter. How could a parent put their own child’s life at risk? Before Lilyana reaches him, her grandfather dies peacefully in bed, taking every explanation with him. Determined to complete the film, she casts an actor named Perfecto to play him and kills him on screen, again and again. But the performance exposes the question she cannot escape: what does revenge actually resolve? Lilyana confronts the possibility that the violence she wants to destroy may already live inside her.